(born Feb. 1, 1895, Cape Elizabeth, Maine, U.S.—died Aug. 31, 1973, Palm Desert, Calif.) American motion-picture director who was Hollywood's best-known director of westerns. He developed a distinctive directorial style characterized by effective cutting, an emphasis on action, colourful characterization, a sentimentalized vision of the past, and the skillful creation of mood.
In 1914 Ford joined his brother Francis in Hollywood, becoming a property man at the Universal Studios. He changed his name, became an assistant director, and was assigned to work on shorts and westerns.
![Henry Fonda (centre) in <i>The Grapes of Wrath</i> (1940), directed by John Ford. [Credit: © 1940 Twentieth Century-Fox Film Corporation; photograph from a private collection]](http://images.bookrags.com/images/eb/90607.gif)
Henry Fonda (centre) in The Grapes of Wrath (1940), directed by John Ford. [Credit: © 1940 Twentieth Century-Fox Film Corporation; photograph from a private collection]Ford's first big success as a large-scale director was
The Iron Horse (1924), the story of the first transcontinental railroad, a film that gave impetus to the growing popularity of the high-budget “big western.”
The Informer (1935) established Ford's critical reputation, and it, along with three later films—
The Grapes of Wrath (1940),
How Green Was My Valley (1941), and
The Quiet Man (1952)—all won the Academy Award for best direction.
Although many of his outstanding films dealt with social themes, Ford was best known for westerns, such as Stagecoach (1939), My Darling Clementine (1946), Wagonmaster (1950), Rio Grande (1950), The Searchers (1956), The Man Who Shot Liberty Valance (1962), How the West Was Won (1962), and Cheyenne Autumn (1964).
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