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There are 8 critical essays on William Rowley (dramatist).

Critical Essays on William Rowley (dramatist)
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Critical Essay by George R. Price
8,354 words, approx. 28 pages
In the following essay, Price discusses what part Rowley, Thomas Middleton, and Philip Massinger each had in writing and revising The Old Law.
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Critical Essay by Michael E. Mooney
8,111 words, approx. 27 pages
In the following essay, Mooney examines Rowley's use of the jig in A Fair Quarrel.
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Critical Essay by Dewar M. Robb
7,301 words, approx. 24 pages
In the following essay, Robb attempts to determine what part, if any, Rowley had in writing some twenty plays whose authorship is uncertain.
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Critical Essay by A. L. Kistner and M. K. Kistner
6,535 words, approx. 22 pages
In the following essay, the critics examine the thematic and structural elements of Rowley and Middleton's A Fair Quarrel.
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Critical Essay by Jeffrey Masten
5,550 words, approx. 19 pages
In the following essay, Masten considers variations in two early editions of The Old Law.
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Critical Essay by Michael Nolan
2,777 words, approx. 9 pages
In the following essay, Nolan credits Rowley with the authorship of The Thracian Wonder on the basis of the elements this play has in common with Rowley's known works.
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Critical Essay by Pauline Gertrude Wiggin Leonard
2,683 words, approx. 9 pages
In the following excerpt, Leonard takes exception with critics who have claimed that Rowley played an insignificant role in the plays he co-wrote with Thomas Middleton.
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Critical Essay by George Cheatham
2,623 words, approx. 9 pages
In the following essay, Cheatham uses literary and historical clues to determine when Rowley might have written A New Wonder, A Woman Never Vext.


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