 |
|
 |
|
Who's Afraid of Virginia Woolf? Summary |
| |
|
|
|
There are 8 critical essays on Who's Afraid of Virginia Woolf?.
Critical Essays on Who's Afraid of Virginia Woolf?

from source:

Text, Subtext, and Performance (1990)
5,919 words, approx. 20 pages
 The following interview was conducted in January 1990, during rehearsals for a production of Who's Afraid of Virginia Woolf? that Albee was directing. He here focuses on the play from the dual perspective of playwright and director.
from source:

Interview by Edward Albee with Jeffrey Goldman
3,390 words, approx. 11 pages
 In the following interview, conducted in 1989, Albee discusses his works, his artistic approach, critical reaction to his works, American theater, the arts, and contemporary social issues.
from source:

Critical Essay by Tom F. Driver
1,943 words, approx. 7 pages
 The essay below contains a harshly negative assessment of Albee's work through Who's Afraid of Virginia Woolf? and asserts that this play enacts "homosexual liaisons. "
from source:

Critical Review by Harold Clurman
1,301 words, approx. 4 pages
 In the following excerpt, Clurman acknowledges Albee's technical skill, but faults his characterizations in Who's Afraid of Virginia Woolf? as one-dimensional.
from source:

Critical Review by Robert Brustein
1,148 words, approx. 4 pages
 In the following excerpt of a review of Who's Afraid of Virginia Woolf?, Brustein recognizes Albee's talent for compelling and clever dialogue and his inventiveness, but also notes what he perceives as the author's failure to create a cohesive drama.
from source:

Critical Essay by Stanley Kauffmann
684 words, approx. 2 pages
 Fate has not been kind to Edward Albee. I don't mean only the bitterness of early success and subsequent decline, though that's hard enough. Worse: He was born into a culture that—so he seems to think—will not let him change professions, that insists on his continuing to write plays long after he has dried up…. Look at Albee's career since its peak, which I take to be Who's Afraid of Virginia Woolf?, produced 18 years ago. Three adaptations, The Ballad of the...
from source:

Critical Review by James Campbell
630 words, approx. 2 pages
 In the following excerpt of a review of Who's Afraid of Virginia Woolf?, Campbell surveys the history of the play.
from source:

Critical Essay by Henry Hewes
397 words, approx. 1 pages
 Just as Mr. Albee used the name Nick in Who's Afraid of Virginia Woolf? to suggest that the character was related to Nikita Khrushchev and was therefore an exponent of a totalitarian society, so he occasionally enriches moments in Tiny Alice with verbal puzzles. For instance, Julian will paraphrase the words of Jesus, but to interpret Julian as Jesus would be carrying the analogy further than the author intended. On a more realistic level, the playwright reminds us that most religious people relate t...

 View More Articles on Who's Afraid of Virginia Woolf?
|
|


|
|  |
 |
|  |