In the following essay, Engelstein explores Rozanov's anti-Semitism, which was manifested in his stereotyping of Jews as possessing great sexual prowess.
In the following essay, Crone argues that Rozanov created a fictional self in his autobiographical writings, which serve to help him articulate thoughts and opinions on a wide variety of topics.
In the following essay, Khanin argues that both Rozanov's moral and aesthetic ideals are rooted in “altruistic empathy” rather than a sense of moral duty.
In the following review of Solitaria, originally published in 1936, Lawrence finds Rozanov's “Russianizing” tiresome, but admits the his work shows promise.
