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Treasure Island. Cover illustration by Frank Godwin 1925. |
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There are 9 critical essays on Treasure Island.
Critical Essays on Treasure Island

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William Blackburn
6,919 words, approx. 23 pages
 In the following essay, Blackburn considers Treasure Island in the context of the evolution of the literature of romance and adventure "from fiction in which incident is more important than character to fiction in which precisely the reverse is true."
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Critical Essay by Sister Mary Louise McKenzie
6,816 words, approx. 23 pages
 In the following essay, McKenzie examines the influence of the nineteenth-century toy theatre upon Stevenson's aesthetic sensibility. She focuses on elements of excitement, imagination, chance, and playfulness in both the toy theatre and Stevenson's fiction.'
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Critical Essay by David Angus
6,445 words, approx. 22 pages
 In the following essay, Angus considers the additions and editorial changes that Stevenson made to the text of Treasure Island following its initial serial publication.
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David Daiches
5,497 words, approx. 18 pages
 In the following excerpt, Daiches discusses Stevenson's decision to cast his novel "in one of the oldest of all narrative moulds—the quest." Below, Daiches examines Stevenson's use of plotting techniques that heighten the novel's suspense.
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Critical Essay by Susan Gannon
5,143 words, approx. 17 pages
 In the following essay, Gannon examines the way Treasure Island effectively addresses young readers, emphasizing the theme of the romantic quest, the use of retrospective narration, and the presence of mystery.
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David H. Jackson
4,756 words, approx. 16 pages
 In the following essay, Jackson discusses "the [Victorian romance revival's ideological motivation for appropriating the conventions of children's literature," and argues that Treasure Island reveals a conservative ideological agenda, despite Stevenson's theory of romantic fiction as "a value-free field for harmless imaginative play.]
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Critical Essay by Max Sutton
4,453 words, approx. 15 pages
 In the following essay, Sutton examines the tone and style of the narrative voice of Treasure Island. He argues that Stevenson employed confessional techniques through which he "invites the reader to become a friend, a partner in [a relationship between equals."]
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Critical Essay by Richard Middleton
1,559 words, approx. 5 pages
 In the following essay, Middleton attributes the unpopularity of the first publication of Treasure Island to the presence of human flaws in Stevenson's charac ters—a literary quality "at variance with juvenile conceptions of adventure."

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