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There are 17 critical essays on Toni Morrison.
Critical Essays on Toni Morrison

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Critical Essay by John N. Duvall
17,561 words, approx. 59 pages
 In the following essay, Duvall examines elements of metafiction in relation to African-American female identity in Morrison's Beloved, Jazz, and Paradise.
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Critical Essay by Jan Furman
11,159 words, approx. 37 pages
 In the following essay, Furman examines the significance of family and community to developing a personal sense of African-American female identity in Morrison's The Bluest Eye and Sula.
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Critical Essay by Gurleen Grewal
8,946 words, approx. 30 pages
 In the following essay, Grewal asserts that Morrison's Tar Baby examines African-American struggles over issues of identity in a postmodern, postcolonial world.
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Critical Essay by Yvonne Atkinson
8,306 words, approx. 28 pages
 In the following essay, Atkinson argues that the Black English oral tradition, grounded in African-American culture, forms the foundation of Morrison's fiction.
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Critical Essay by Carolyn M. Jones
7,457 words, approx. 25 pages
 In the following essay, Jones examines the significance of references to the biblical story of Cain and Abel in Morrison's Sula and Beloved. Jones argues that Morrison's references to this mythical story suggest a connection between memory, community, and individual identity.
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Critical Essay by Karla F. C. Holloway
6,881 words, approx. 23 pages
 In the following essay, Holloway examines Morrison's use of lyrical female voices in The Bluest Eye and The Song of Solomon as a celebration of African-American spirituality and cultural identity.
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Critical Essay by Rob Davidson
6,591 words, approx. 22 pages
 In the following essay, Davidson examines the role of narrative as a means of constituting community identity in Morrison's Paradise.
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Critical Essay by Peter J. Capuano
5,130 words, approx. 17 pages
 In the following essay, Capuano examines references to Narrative of the Life of Frederick Douglass, an American Slave (1845), by Frederick Douglass, in Morrison's Beloved.
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Critical Essay by Barbara Williams Lewis
3,715 words, approx. 12 pages
 In the following essay, Lewis argues that Morrison's Jazz may be categorized as a “jazz novel,” in that the narrative structure of the story is based on stylistic techniques of jazz music.
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Critical Essay by Thomas B. Hove
3,010 words, approx. 10 pages
 In the following essay, Hove provides an overview of elements of postmodernism in Morrison's fiction.
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Critical Essay by Jane S. Bakerman
2,156 words, approx. 7 pages
 [Toni Morrison] has achieved major stature through the publication of only three novels. The Bluest Eye (1970) and Sula (1973) are brief, poetic works which explore the initiation experiences of their black, female, adolescent protagonists. Song of Solomon (1977) is a much longer but still lyrical story relating Macon (Milkman) Dead's search for familial roots and personal identity. Milkman's development is framed and illuminated by the maturation stories of three women important in his life, ...
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Critical Review by Hilary Mantel
1,069 words, approx. 4 pages
 In the following review, Mantel provides a plot synopsis of Morrison's Love, and offers a favorable assessment of the novel.
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Critical Review by Ron Charles
820 words, approx. 3 pages
 In the following review, Charles discusses the interrelationships among the characters in Morrison's Love.
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Critical Essay by Pearl K. Bell
530 words, approx. 2 pages
 The life depicted in Toni Morrison's earlier novels drew its strength from her flawless recollection of a cherished and painful past. Tar Baby is set not on the writer's native ground but on a French island in the Caribbean where she, too, is only a tourist, and the novel seems to have been designed more as a vehicle for bitter judgments than as a reflective rendering of memory. This may account for its disjointed tone, its florid language, and the incongruity of its parts: a lush tropic local...




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