In the following essay, Gordon studies gossip and narrative enclosure in The Tenant of Wildfell Hall, as well as the relationship between Anne Brontë's novel and his sister Emily's Wuthering Heights.

In the following essay, Carnell claims that The Tenant of Wildfell Hall does not challenge the traditional Victorian separation of men and women into public and domestic spheres.

In the following essay, O'Toole proposes that the narrative construction of The Tenant of Wildfell Hall serves to reinforce the novel's thematic tension between two forms of domesticity—marital and sibling.

In the following essay, McMaster contrasts the Regency-era rakishness of the male characters with the Victorian morality of the females in The Tenant of Wildfell Hall, finding in the struggle of these opposites the thematic and structural pattern of the novel.

In the following essay, Thormählen argues against traditional, biographically motivated estimates of Arthur Huntingdon by examining the character in cultural context, particularly in relation to contemporary texts on alcoholism and phrenology, as well as Victorian notions of Christian salvation.

In the following essay, Langland offers a feminist/post-structuralist analysis of The Tenant of Wildfell Hall as a Victorian narrative of transgressive feminine desire.

In the following essay, Signorotti details Brontë's analysis of Victorian gender roles in The Tenant of Wildfell Hall, beginning with Gilbert's narrative “appropriation” of Helen's story and concluding with the feasibility of their marriage.

In the following essay, Jackson asserts that The Tenant of Wildfell Hall, despite the flaw of its somewhat burdensome narrative structure, avoids melodrama by counter-balancing Helen Huntingdon's psychological realism with the debauched behavior of her husband Arthur.

In the following essay, Clapp evaluates Helen Huntingdon as a marginalized, and hence paradigmatic, Victorian female artist.

In the following essay, Kostka considers Gilbert Markham's reading of Helen Huntingdon's diary as the act of an inexperienced male achieving maturity via female writing.

In the following essay, Paige maintains that the complex narrative of The Tenant of Wildfell Hall does not mar the integrity of the novel, but rather serves to further Brontë's stated purpose of examining the institution of marriage in Victorian England.

In the following anonymous review, the critic compares The Tenant of Wildfell Hall to Jane Eyre, claiming that the two were written by the same author, and that both are deplorable in nature.