Critical Essay by Joshua Gilder
744 words, approx. 3 pages

Jerzy Kosinski's fictional persona easily made the transition from victim, in The Painted Bird, to victimizer, in Steps. Throughout the four subsequent novels, the cold blooded, impervious Kosinski hero changed little; CIA operative Tarden of Cockpit was as cruel as freelance secret agent Levanter of Blind Date. Passion Play, however, finds the persona somewhat mellowed. In his latest reincarnation, he is an aging polo player named Fabian…. The consuming aggression of past heros has been turne...