In the following review, Coetzee presents a deep analysis of The Moor's Last Sigh, noting its multilayered construction.

In the following review, Wood presents an in-depth analysis of Rushdie's career, culminating with The Moor's Last Sigh.

In the following review, Wood offers a mixed assessment of The Moor's Last Sigh.

In the following review, Pamuk considers Rushdie's treatment of his homeland in his fiction, most recently in The Moor's Last Sigh.

Below, Hagedorn offers a positive review of The Moor's Last Sigh.

In the following review, Rush praises The Moor's Last Sigh as an apt response to the tyrannical reaction to The Satanic Verses.

In the following essay, based on an interview with the author, Barnton describes Rushdie's life since the fatwa.

In the following review, Dirda finds The Moor's Last Sigh further evidence of his contention that Rushdie is among the world's greatest writers.

In the following review, Caldwell describes The Moor's Last Sigh as "a parable of modern India."

Below, Eder presents a mixed review of The Moor's Last Sigh.

In the following review, Kakutani describes the ways in which the story and characters of The Moor's Last Sigh relate the author's own views of his native country.

In the following review, Hussein relates the plot of The Moor's Last Sigh.

In the following review, Maitland suggests that The Moor's Last Sigh suffers from the fallout of the fatwa imposed upon its author.

In the following mixed review, Bowman asserts that The Moor's Last Sigh reads as if the author wrote it simply to prove that he could, and predicts that the book will offend Hindus as The Satanic Verses offended Muslims.

In the following review, discusses Rushdie's public promotion of The Moor's Last Sigh.

In the following essay, Burns describes reaction in India to The Moor's Last Sigh.

In the following interview, Blades queries Rushdie on religion and the effect of the Ayatollah Khomeini's death sentence on his writing.

In the following review, Ryan describes The Moor's Last Sigh as "an extraordinary act of the imagination."

In the following review, Gray finds The Moor's Last Sigh's "leisurely wordiness is a mark of Rushdie's mastery."

In the following negative review of The Moor's Last Sigh, Bemrose remarks that "most of the novel reads like the vision of a harried mind that has lost touch with the pace and amplitude of ordinary life."

In the following review, the critic describes The Moor's Last Sigh as Rushdie's "passionate, often furious love letter to the country of his birth."

In the following review, Rubin remarks that "the Moor's outlandish friends, family, and enemies may begin to look a little more familiar than we'd like" in The Moor's Last Sigh.

In the following review, King offers a mixed review of The Moor's Last Sigh, contending that Rushdie “always manages to write powerfully about the defining issues of our time.”

Below, the critic offers a positive assessment of The Moor's Last Sigh.

Below, Wigston offers a positive review of the audio version of The Moor's Last Sigh.

In the following essay, based on an interview with the author, Gray discusses the controversial nature of Rushdie's writing.

Below, Adams presents a positive review of The Moor's Last Sigh.

In the following review, Hooper describes The Moor's Last Sigh as "a marvelously wrought novel, guaranteed to entrance."