In the following excerpt, Raylor discusses the function and sources of the Jacobean masque by examining the specifics of Viscount Doncaster's presentation of The Essex House Masque for King James and the French Ambassador.

In the following excerpt, Platt contrasts the rational literary aspects of the masque as embodied in Ben Jonson's work with the fantastic and visual qualities of Inigo Jones's contributions.

In the following excerpt from a larger study of Jonson's antimasques, Mickel provides an abstract of his argument that Jonson's antimasque is a complex, dialectical response to political and cultural events and thus helps to enforce the ideal of the masque.

In the following essay, Wynne-Davies discusses gender politics and the masque of the Jacobean court, examining the masques written for Queen Anne and those written by Lady Mary Wroth.

In the essay below, Siddiqi considers the treatment of gender and race in two court masques by Ben Jonson and a masque written for London merchants by Thomas Middleton.

In the following essay, Gossett explores the role of women in the masque, arguing that the views of royalty had a profound influence on how women were portrayed.

In the essay below, Palmer analyzes Yorkshire historical documents to argue that the link between court and country masque performances were greater than expected, with landed gentry using performances as a means of social advancement.

In the essay below, Norbrook outlines the efforts made to reform Jacobean and Caroline masques in light of Protestant beliefs.

In the essay below, Waith compares late sixteenth and early seventeenth century masques to earlier comedies, arguing that the masque assumed many characteristics of the comedy.

In the following essay, Dundas discusses James Shirley's masque Cupid and Death in relation to other Renaissance variations on the theme of love and death.

In the following essay, Waller, a noted scholar on Jacobean playwright Mary Wroth, offers a detailed analysis of the gender politics in her work.

In the following essay, Orgel, a noted scholar of the masque, places the genre in the context of the history of literature, outlining its distinctive characteristics and development.

In the essay below, Parisi examines the character Lady Alice from Milton's Comus and discusses the portrayal of women's ability to reason.

In the essay below, Hubbell considers Milton's efforts to shift the nature and focus of the masque in his Comus.

In the following essay, Marsh-Lockett examines Jonson's efforts to educate King James on the tenets of successful monarchy through The Haddington Masque and The Masque of Queenes.

In the following essay, Dundas analyzes the use of figures of classical myth in masques, arguing that they added an aspect of beauty and enrichment to the performances.