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The Lovely Bones Summary
 
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There are 15 critical essays on The Lovely Bones.

Critical Essays on The Lovely Bones
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Critical Essay by Kenneth Womack
5,750 words, approx. 19 pages
In the following essay, specially commissioned for Contemporary Literary Criticism, Womack uses the framework of family systems theory to examine acts of narrative therapy and the grieving process presented in The Lovely Bones.
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Critical Essay by Daniel Mendelsohn
3,788 words, approx. 13 pages
In the following essay, Mendelsohn complains that The Lovely Bones suffers from poor-quality writing and has the moral, social, and emotional seriousness of sugary pop songs and TV movies of the week.
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Critical Essay by Doris L. Eder
3,704 words, approx. 12 pages
In the following essay, specially commissioned for Contemporary Literary Criticism, Eder offers a comparison of The Lovely Bones with Sebold's memoir, Lucky, discussing the novel's characterization, structure, and imaginative perspective.
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Critical Essay by Charlotte Abbott
2,323 words, approx. 8 pages
In the following essay, Abbott chronicles The Lovely Bones's path to success and describes the marketing and publicity efforts behind the novel.
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Critical Review by Rebecca Mead
2,049 words, approx. 7 pages
In the following favorable review, Mead suggests that The Lovely Bones feeds America's appetite for horror.
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Critical Review by Stephen H. Webb
1,752 words, approx. 6 pages
In the following review, Webb reflects on The Lovely Bones, highlighting the novel's unique perspective and its depiction of heaven.
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Critical Review by Gordon Phinn
1,080 words, approx. 4 pages
In the following review, Phinn offers a negative assessment of The Lovely Bones, characterizing it as sentimental and predictable.
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Critical Review by Claudia FitzHerbert
1,066 words, approx. 4 pages
In the following review, FitzHerbert compares The Lovely Bones with Lucky, finding the former an unsuccessful attempt to improve on the author's memoir.
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Critical Review by Ron Charles
1,005 words, approx. 3 pages
In the following review, Charles admires The Lovely Bones for its utilization of both horror and beauty.
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Critical Review by Sarah Churchwell
954 words, approx. 3 pages
In the following review, Churchwell praises the first half of The Lovely Bones, but derides the novel's latter half, calling it “saccharine” and “false.”
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Interview by Alice Sebold and Ann Darby
785 words, approx. 3 pages
In the following interview, Sebold discusses her narrative choices in The Lovely Bones and her plans for her next novel.
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Critical Review by Paula L. Woods
735 words, approx. 3 pages
In the following review, Woods describes The Lovely Bones as “a strange and beautiful amalgam of novelistic styles.”
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Critical Review by Andrea Dworkin
729 words, approx. 2 pages
In the following review, Dworkin presents a detailed synopsis of the memoir Lucky, preferring it to Sebold's novel The Lovely Bones.
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Critical Review by Lisa Allardice
701 words, approx. 2 pages
In the following review, Allardice contends that the characters and narrative of The Lovely Bones are overly conventional and fail to fulfill the novel's potential.
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Critical Review by Virginia Quarterly Review
199 words, approx. 1 pages
In the following review, the critic praises Sebold's The Lovely Bones, citing the author's originality and attention to detail.


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