In the following essay, Simmons examines sexual fantasy and demonology in The Changeling.

In the following essay, Pentzell focuses on the formal aspects of The Changeling as a means of coming to a fuller understanding of the play.

In the following essay, Jacobs considers which characters in The Changeling can best be called “changelings,” concluding that death is the final condition of such individuals.

Morrison disputes those critical interpretations that regard The Changeling as unified around the concept of change or mutability, countering that "if The Changeling is unified at all… it is certainly not so by virtue of abstract concept or formal structure but by such things as symbol, image, mood. "

In the following essay, Williams discusses the collaborative authorship, popularity, plot, and themes of The Changeling.

In the following essay, Mooney explores the collaborative effort of Rowley and Thomas Middleton in A Fair Quarrel and The Changeling.

Bradbrook is an English scholar noted especially for her commentary on the development of Elizabethan drama and poetry. In her criticism, she combines both biographical and historical research, paying particular attention to the stage conventions of Elizabethan and earlier periods. In the following excerpt from her influential essay on Middleton, she evaluates the naturalistic treatment of character in The Changeling and provides an elaboration of William Empson's contention that the tragedy is well...

In the following essay, Jordan concentrates on mythic and poetic images in The Changeling.

In the following excerpt, Mulryne considers The Changeling to be one of the most powerful tragic works of its era.