In the following essay, Sawyer investigates Pratchett's use of the library and the librarian in his fiction, concluding that despite the parodic style, he believes Pratchett's treatment of each is one of respect.

In the following essay, Baldry examines Pratchett's use of his children's fiction to “expand the thinking of his young readers by presenting them with new ideas.”

In the following essay, Moody reflects upon Pratchett's literal personification of Death as a lead character, asserting that Death serves as an anchor to the fantasy occurring around him.

In the following essay, using Mikhail Bakhtin's Rabelais as context, Butler argues that Pratchett's novels mix a carnival atmosphere with the concept of the bildungsroman to accomplish change in both the characters and the world they inhabit.

In the following review, Rubnikowicz examines the enduring popularity of Pratchett's writing.

In the following interview, Pratchett discusses his feelings about the neglect critics have for the fantasy genre, as well as their seemingly poor opinion of his output.

In the following interview, Hanks commends Pratchett's ability to write for children without being condescending while still appealing to adult audiences as well.

In the following interview, Young attempts to define the forces that drive Pratchett to write within the fantasy genre.

In the following review of The Fifth Elephant, Lanham seeks to introduce Pratchett to American audiences unfamiliar with the novelist's work.

In the following negative review of Small Gods, Shone accuses Pratchett of relying on his popularity without providing an intellectual challenge to his readership in the novel.

In the following review of several Discworld books, Feeley laments the longer novels asserting that the stronger works are those where Pratchett practices brevity.

In the following review of Monstrous Regiment, Ludovise voices her disappointment in the novel, asserting the book is a one-joke effort lacking the soul of previous Discworld novels.

In the following review of Witches Abroad, Moving Pictures, and Reaper Man Barrett asserts that Pratchett's work is both fun and popular.

In the following review of Interesting Times, James asserts that Pratchett has grown from parodist to a commentator on the world at large.

In the following review of Night Watch, Barsanti compares Pratchett's writing style to that of British humorist G. K. Chesterton.

In the following review of Interesting Times, Tonkin praises Pratchett's use of word play.

In the following review of The Truth, Falconer holds that Pratchett's abilities as a political satirist are growing.