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Summary Pack Details

There are 20 critical essays on Susan Minot.

Critical Essays on Susan Minot
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Critical Essay by Marcelle Thiebaux
2,211 words, approx. 7 pages
In the following essay, Thiebaux provides an overview of Minot's life and work, based on an interview with Minot upon the publication of Folly.
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Critical Review by Michael Wood
2,145 words, approx. 7 pages
In the following excerpt, Wood assesses the strengths and weaknesses of Evening, commenting that the prose in the novel is occasionally “just too casual.”
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Critical Review by David Wiegand
1,086 words, approx. 4 pages
In the following positive review, Wiegand attributes the success of Evening to Minot's attention to detail.
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Critical Review by Richard Eder
1,066 words, approx. 4 pages
In the following mixed review, Eder praises Minot's skillful prose, but finds Lust and Other Stories repetitious, distant, and thematically limited.
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Critical Review by Brooke Allen
1,064 words, approx. 4 pages
In the following excerpt, Allen criticizes the sexual premise and Minot's “shoddy” writing in Rapture.
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Critical Review by Merle Rubin
1,061 words, approx. 4 pages
In the following review, Rubin examines the structure of Folly, crediting the novel's protagonist for the work's “universal” relevance.
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Critical Review by Pearl K. Bell
1,005 words, approx. 3 pages
In the following excerpt, Bell offers a mixed assessment of Folly, praising Minot's virtuosity, but finding fault with the novel's circumscribed milieu and idiom.
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Critical Review by Juliet Fleming
973 words, approx. 3 pages
In the following review, Fleming explores Minot's ruminations on death in Evening.
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Critical Review by Gary Davenport
860 words, approx. 3 pages
In the following excerpt, Davenport explores the narrative significance of historical context in Folly.
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Critical Review by Richard Eder
810 words, approx. 3 pages
In the following review, Eder offers a negative assessment of Folly, calling the novel underdeveloped and predictable.
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Critical Review by Andy Solomon
776 words, approx. 3 pages
In the following review, Solomon praises the characterization, narrative tension, and successful evocation of setting in Folly.
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Critical Review by Anne Duchêne
732 words, approx. 2 pages
In the following review, Duchêne compares Folly to Edith Wharton's novels of manners, highlighting similarities between their protagonists and tone.
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Critical Review by Madeleine Blais
723 words, approx. 2 pages
In the following review, Blais assesses the effectiveness of the minimalist style of Lust and Other Stories.
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Critical Review by Penelope Rowlands
690 words, approx. 2 pages
In the following positive review, Rowlands commends the complexity of the protagonist in Folly.
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Critical Review by Charlotte Moore
569 words, approx. 2 pages
In the following mixed review, Moore praises the narrative significance of memory in Evening, but criticizes the novel's highly stylized prose.
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Critical Review by Stephen Wall
566 words, approx. 2 pages
In the following excerpt, Wall explores Minot's motivations behind her minimalist techniques in Lust and Other Stories.
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Critical Review by Robley Wilson
550 words, approx. 2 pages
In the following review, Wilson examines the ultra-fictional qualities of Lust and Other Stories.
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Critical Review by Karen Sue Smith
473 words, approx. 2 pages
In the following positive review, Smith comments on the themes, characters, and moods in Monkeys.
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Critical Review by Sean French
364 words, approx. 1 pages
In the following excerpt, French examines the theme and tone of Lust and Other Stories, praising the collection's subject matter, but questioning its sense of decorum.
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Critical Review by Sara Maitland
278 words, approx. 1 pages
In the following excerpt, Maitland examines the weaknesses of Monkeys, noting that the novel lacks substance.


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