In the following essay, Salyer provides a stylistic analysis of Storyteller.

In the following essay, Beidler brings together eight brief essays by various writers that assess the originality of “Yellow Woman” and compares an aspect of Silko's tale to that of the traditional Cochiti story “Evil Kachina Steals Yellow Woman.”

In the following essay, Krumholz discusses the various narrative techniques Silko utilizes in Storyteller to guide the reader.

In the following essay, Nelson contrasts the use of the Laguna oral tradition in Storyteller, Ceremony, and John Gunn's Schat-chen.

In the following essay, McHenry asserts that with Storyteller, Silko “creates a text governed not by the standards of the European literary tradition but by a mixture of written genres, written transcriptions of conversations and internal memories, and photographs.”

In the following essay, Grobman argues for a new classroom approach to Storyteller, contending that “the text itself provides a theoretical framework by which to teach it, one that emulates the kind of multicultural democracy implicit in multicultural education.”

In the following essay, Langen explores the organization and the interconnectedness of the pieces in Storyteller.

In the following essay, Karno asserts that “Storyteller” and Almanac for the Dead illuminate the “interrelationships between the Native American body, the landscape, and American law.”

In the following excerpt, Rand finds parallels between the protagonists in Storyteller, Toni Morrison's The Bluest Eye, and Philip Roth's Goodbye, Columbus.

In the following essay, Jaskoski considers the main thematic concerns of the stories in Storyteller.

In the following essay, Stetsenko finds parallels between “Storyteller” and Anna Nerkagi's Aniko of the Nogo Tribe.

In the following essay, Lappas underscores the roles of myth and memory in Storyteller and Maxine Hong Kingston's The Woman Warrior.

In the following essay, Brown elucidates the ways in which Storyteller affected her perception of storytelling and provided insight into her own experiences.

In the following essay, Vangen contends that in “Storyteller” Silko utilizes a new discursive system, which implicitly illustrates how the old colonialist culture's discursive system “closes off the people's stories.”