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Siegfried Sassoon, 1916
 
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There are 12 critical essays on Siegfried Sassoon.

Critical Essays on Siegfried Sassoon
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Critical Essay by Arthur E. Lane
9,421 words, approx. 31 pages
Lane is an American poet and professor of English literature. In the following analysis, he upholds the validity of much of Sassoon's war poetry, citing the poet's "deceptively simple immediacy" and his direct, nonmetaphoric use of imagery.
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Critical Essay by John H. Johnston
7,580 words, approx. 25 pages
In the following essay, Johnston analyzes the war poetry in The Old Huntsman and Counter-Attack. He argues that brief satirical verse of this kind renders the experience of battle "too directly and too grossly" and lacks the fuller perspective that other poets later brought to the war.
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Critical Essay by Joseph Cohen
5,461 words, approx. 18 pages
Here, Cohen outlines the three roles that he believes Sassoon has assumed in regard to his poetry, those of "country gentleman," "angry prophet," and "self-effacing hermit. "
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Critical Essay by L. Hugh Moore, Jr.
5,369 words, approx. 18 pages
Moore is an American critic and educator. Here, he counters the common critical opinion that Sassoon's war poetry was radically different from the verse he produced before seeing battle action. Moore contends that Sassoon's early work contains the realistic characteristics pioneered by several Georgian poets and that these prewar poems are directly related to his later accomplishments.
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Critical Essay by C. E. Maguire
5,151 words, approx. 17 pages
In the following essay, Maguire provides an overview of Sassoon's poetry, discussing major themes such as his musings on life and death, the absurdity of war, and the passage of time.
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Critical Essay by Michael Thorpe
2,243 words, approx. 8 pages
In the following excerpt, Thorpe assesses Sassoon's accomplishments, commenting on the poet's role as an innovative writer of protest verse, his similarity to a number of past writers, and the religious content of his later works.
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Critical Essay by John Middleton Murry
1,650 words, approx. 6 pages
Murry was a renowned English literary critic whose books include The Problem of Style (1922) and Keats and Shakespeare (1925). In the the following analysis, originally written in July, 1918, Murry asserts that Sassoon's work in Counter-Attack and Other Poems is "not poetry. " He faults the war verse in the volume because it fails to provide a contrast to the chaotic atmosphere of battle and because it has a distinctly prose-like quality.
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Critical Essay by John Drinkwater
1,541 words, approx. 5 pages
In the excerpt below, Drinkwater reviews Picture Show and questions whether war poetry can be judged by those who have not shared in the poet's wartime experiences. He also argues that Sassoon's strong emotions sometimes weaken the quality of his work, but the critic finds that the volume's best poems are "the creation of a loving and aristocratic art."
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Critical Essay by The New Republic
1,389 words, approx. 5 pages
In the following review of The Old Huntsman and Other Poems, the critic asserts that Sassoon's war poems are his "true utterance" and that they are superior to the verse in the volume that concerns prewar England.
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Critical Essay by Winfield Townley Scott
892 words, approx. 3 pages
Scott was an American poet, editor, and educator noted for his biographical and story poems. In the following review of Sasson's Collected Poems, Scott finds the volume to be emblematic of the English generation that came of age in the first half of the twentieth century.
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Critical Essay by Babette Deutsch
766 words, approx. 3 pages
Deutsch was an American author and educator whose poetry collections include Banners (1919) and The Collected Poems of Babette Deutsch (1969). In this review of The Heart's Journey, she criticizes several aspects of Sassoon's poetry, yet praises the visions of evil and peace that he attempts to communicate.
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Critical Essay by The Times Literary Supplement
691 words, approx. 2 pages
In the review below, the critic comments on the religious content of Sequences, noting that the poems portray Sassoon as "a recluse seeking … some spiritual light."


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