In the following essay, Raizada discusses Naidu as an Indian poet—rather than an Indian writing English poetry—and reassesses her work in those terms.

In the following essay, Dwivedi presents an overview of Naidu's career.

In the following essay, Khan examines major themes and images in Naidu's work.

In the following essay, Iyengar provides a biographical and critical sketch of Naidu.

In the following essay, Gupta discusses the influence of English Romanticism on Naidu's work.

In the following essay, Sharma discusses Naidu's poetic persona, which is assessed as "invariably objective, impersonal, or universal. "

In the following essay, Ansari presents an overview of Naidu's poetry.

In the following essay, Cousins offers an appreciative overview of Naidu's work.

In the following essay, Alexander examines feminism in Naidu's life and works, noting in particular the conflict between the turn-of-the-century English poetry and lifestyle she absorbed while studying in London and the tumultuous social and political atmosphere of India prior to the country's independence.

In the following essay, Anand surveys Naidu's life and works.

In the following essay, Mather discusses the delicacy of Naidu's language and imagery.

In the following introduction of Naidu's The Golden Threshold, Symons expresses his strong admiration of Naidu's poetry and relates the friendship he developed with her through letters.

In the following essay, Das Gupta discusses ways in which Naidu's poetic sensibilities affected her political career and actions.

In the following essay, Blackwell examines imagery used by Naidu and Kamala Das of "the soul's quest for God (Krishna). "

In the following essay, which was originally presented as a speech delivered at the Constituent Assembly in New Delhi on March 3, 1949, Nehru eulogizes Naidu, pointing out her social and political achievements.

In the following introduction to Naidu's The Bird of Time, Gosse remembers his early meetings with Naidu in London and how he encouraged her to write poetry.

In the following review of The Golden Threshold, the anonymous critic praises the volume not only for its contribution to Indian literature, but also its contribution to the further development of the English lyric verse.

In the following review of The Sceptered Flute: Songs of India, the anonymous critic notes that Naidu's poetry needs further development but nonetheless possesses the qualities of "high inspiration. "