In the following essay, Walker evaluates the influence of Teasdale's work on other American poets and discusses the most characteristic persona in her verse: the passionate virgin.

In the following essay, Larsen explores the work of Amy Lowell, Sara Teasdale, Elinor Wylie, Edna St. Vincent Millay, and Louise Bogan, asserting that “understanding the value of these poets' work, and the reasons behind the changing estimations of that value, restores to us a fuller picture of a vital era in American poetry.”

In the following essay from her biographical and critical study of Teasdale and her work, Schoen examines Teasdale's most prolific period.

In the following essay, Sprague provides a biographical and critical study of Teasdale and her work.

In the following essay, Brenner elucidates the defining characteristics of Teasdale's verse.

In the following excerpt, D’Amico determines the influence of Christina's Rossetti's work on Sara Teasdale.

In the following excerpt, Gregory places Teasdale's work within a literary context.

In the following excerpt, Untermeyer offers a brief survey of Teasdale's verse.

In the following essay, Saul addresses the lack of critical attention to Teasdale's work, and reflects on the popularity of her work in the early twentieth century.

In the following essay, Monroe explores the feminine voice in Teasdale's work.

In the following review, Deutsch offers a mixed assessment of Teasdale's Collected Poems.

In the following excerpt, Lucas discusses Teasdale's Flame and Shadow.

In the following laudatory assessment of Strange Victory, Bogan deems the collection “the final expression of a purely lyrical talent and of a poetic career remarkable for its integrity throughout.”