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One of the illustrations Aubrey Beardsley produced for the first English edition of Wilde's play Salome (1894)
 
Summary Pack Details

There are 7 critical essays on Salome (play).

Critical Essays on Salome (play)
from source:
Critical Essay by David Wayne Thomas
9,737 words, approx. 33 pages
In the following essay, Thomas investigates the function of verbal musicality in Wilde's Salomé.
from source:
Critical Essay by Richard Ellmann
7,609 words, approx. 25 pages
In the following essay, Ellmann traces the influence of Wilde's friendships with John Ruskin and Walter Pater on his Salomé.
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Critical Essay by Jason P. Mitchell
4,435 words, approx. 15 pages
In the following essay, Mitchell asserts that Wilde's diction in Salomé was borrowed from the Old Testament as well as the Belgian author Maurice Maeterlinck.
from source:
Critical Essay by Edward E. Hale Jr.
1,526 words, approx. 5 pages
In the following essay, Hale contrasts Hamlin Garland's Crumbling Idols and Wilde's Salomé, providing a mixed review of Wilde's play.
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Critical Essay by Christopher S. Nassaar and Nataly Shaheen
939 words, approx. 3 pages
In the following essay, Nassaar and Shaheen discuss stylistic and thematic aspects of Salomé.
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Critical Essay by Christopher S. Nassaar
889 words, approx. 3 pages
In the following essay, Nassaar considers the symbolic significance of the fan in Wilde's Salomé.
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Critical Review by Critic
410 words, approx. 1 pages
In the following negative review of Salomé, the critic discusses Wilde's usage of dialogue and theme from various other literary sources.


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