In the following essay, Wheatley examines scholastic commentaries on fable collections available to Henryson that may have been influential in his composition of the Morall Fabillis.

In the following essay, Gray provides a comprehensive overview of Henryson's numerous shorter poems.

In the essay below, Henderson examines the Henryson's equally fresh and inventive animal fable plots and their attendant moralization.

In this essay, Riddy compares The Testament of Cresseid with the anonymous painting “Les Amants trépassés,” and analyzes the symbolism and imagery of both works.

In the following essay, Marlin discusses the Henryson's intent in Orpheus and Erudices to both elicit an affective response from his reader and to supply a moral exegesis of the poem.

In the essay which follows, Boffey delineates some of the fifteenth-century conventions which are essential for a full appreciation of John Lydgate's Testament and Henryson's Testament of Cresseid.

In the following essay, Gopen suggests that the true gravity and cynicism of the Fables can only be appreciated through the structure of the poetry.

In this essay, McKenna scrutinizes Henryson's structural treatment of tragic action and the sense of identity of the tragic figure.

In the following essay, Cox analyzes the narrator, the title character, and the theme of errancy in The Testament of Cresseid.

In the essay that follows, von Kreisler discusses the dream setting of “The Lyoun and the Mous” and also comments on the political context of the fable.

In the following essay, Greentree and McKenna examine Henryson's “construction of his audience” in passages throughout the Moral Fables.

In the following essay, Hallett analyzes the structure of “The Annunciation” and asserts that it is Henryson's personal examination of divine love in the form of poetry.

In the essay below, Cole argues that the narrator plays a significant role in The Testament of Cresseid as he, like Cresseid, seeks personal fulfillment in sexual gratification.

In this essay, Noll questions previous assumptions that The Testament of Cresseid is based in Christian premises.

In the following essay, Schweitzer examines the moral facets of “The Bludy Serk,” maintaining that the work exemplifies Henryson's poetic style.

In the following essay, Johnson examines Henryson's skillful synthesis of source materials with his own creative art in his Orpheus and Eurydice.

In the essay that follows, Fox examines the context and structure of Henryson's lesser-known “Sum Practysis of Medecyne.”

In this essay, Greentree examines the debate of the soul with the body in “The Paddock and the Mouse.”

In this essay, Fox investigates the prominent parallels between Henryson's Fables, the Testament of Cresseid, and Orpheus and Eurydice.

In the essay below, Kindrick comments on the influence of Henryson's poetry on literary tradition and subsequent British authors.

In the essay below, Stephenson suggests that the initial letters of lines 58-63 of The Testament of Cresseid intentionally form the acrostic “FICTIO,” alluding to an earlier source document for Henryson's work.