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There are 11 critical essays on Robert Dodsley.

Critical Essays on Robert Dodsley
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Critical Essay by Harry M. Solomon
17,610 words, approx. 59 pages
In the first essay which follows, Solomon argues that a new biography of Dodsley is warranted, one that does not treat the publisher as a secondary literary figure to the authors he published. In the second, Solomon recounts Dodsley's many literary achievements as a poet, dramatist, journalist, editor, bookseller, and patron of the arts.
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Critical Essay by James E. Tierney
10,927 words, approx. 36 pages
In the following excerpt, Tierney examines Dodsley's work as dramatist, journalist, editor, publisher, and bookseller.
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Critical Essay by James Gray
8,402 words, approx. 28 pages
In the following essay, Gray describes the rivalry between two London theater companies and how it affected the writing, staging, and critical reception of Dodsley's Cleone.
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Critical Essay by Michael F. Suarez
7,585 words, approx. 25 pages
In the following essay, Suarez discusses how Dodsley's Collection of Poems was edited, marketed to a specialized readership, and came to be thought of as representative of mid-eighteenth-century English poetics.
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Critical Essay by Richard Wendorf
7,102 words, approx. 24 pages
In the following essay, Wendorf analyzes Dodsley's editorial work on Collection of Poems, arguing that although Dodsley often changed wording and punctuation in the poems he published, he usually did so with the consent of the authors.
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Critical Essay by Michael F. Suarez
6,234 words, approx. 21 pages
In the following essay, Suarez argues that the first three editions of Dodsley's Collection of Poems were indebted to the patronage, editorial style, literary circle, and poetic ideals of Alexander Pope.
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Critical Essay by Alexander Chalmers
6,152 words, approx. 21 pages
In the following essay, originally published in 1810, Chalmers provides an early assessment of Dodsley's life and literary output.
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Critical Essay by Ralph Straus
5,506 words, approx. 18 pages
In the following excerpt, Straus analyzes Dodsley's dramatic works written between 1737 and 1749, his work in preserving forgotten dramas in his Collection of Old Plays, and his fables.
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Critical Essay by James E. Tierney
5,418 words, approx. 18 pages
In the following essay, originally published in 1983, Tierney recounts Dodsley's five-year association with the London Society of Arts.
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Critical Essay by James E. Tierney
4,799 words, approx. 16 pages
In the following essay, Tierney argues that Dodsley's literary journal The Museum was a far more important reflection of the age than the Gentleman's Magazine.
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Critical Essay by Jeanne K. Welcher and Richard Dircks
2,446 words, approx. 8 pages
In the following essay, Welcher and Dircks discuss the warm critical attention Dodsley received for his Select Fables and the originality and scholarship of “An Essay on Fable.”


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