|
|
There are 16 critical essays on Raymond Chandler.
Critical Essays on Raymond Chandler

from source:

Critical Essay by E. M. Beekman
9,458 words, approx. 32 pages
 In the following essay, Beekman maintains that Chandler's writings transcend the ordinary limitations of mystery-detective fiction through the author's acute consciousness of style and expert use of simile, metaphor, and characterization.
from source:

Critical Essay by William Marling
8,962 words, approx. 30 pages
 In the following essay, Marling surveys Chandler's short stories, addressing issues of plot, character, and style in each.
from source:

Critical Essay by Edward Margolies
8,611 words, approx. 29 pages
 In the following essay, Margolies presents an overview of Chandler's career, commenting on his themes, style, and characters, as well as placing his works in their cultural and historical contexts.
from source:

Critical Essay by Jerry Speir
8,072 words, approx. 27 pages
 In the following essay, Speir discusses how Chandler's short stories evolved into novels and argues that the pulp stories were an essential stage in Chandler's development as a novelist.
from source:

Critical Essay by Philip Durham
6,582 words, approx. 22 pages
 In the following essay, Durham analyzes Chandler's narrative technique, noting his lively prose, elegant expression, and belief that style was more important than plot
from source:

from source:

Critical Essay by Geoff Mayer
5,118 words, approx. 17 pages
 In the following essay, Mayer discusses film adaptations of Raymond Chandler's works, commenting on ways in which Chandler's style becomes altered in the screen realizations of his novels.
from source:

Critical Essay by Larry E. Grimes
4,757 words, approx. 16 pages
 In the following essay, Grimes explores three modern novels as “revisions” of Raymond Chandler's hard-boiled detective formula that increasingly focus on the role of the imagination in detection.
from source:

Critical Essay by Julian Symons
4,317 words, approx. 14 pages
 In the following essay, Symons traces stylistic developments in Chandler's works and characterizes the author as a romantic aesthete primarily concerned with the literary quality of his writings.
from source:

Critical Essay by James Wolcott
3,658 words, approx. 12 pages
 In the following essay, Wolcott discusses Chandler's works in light of current literary tastes.
from source:

Roy Meador
3,372 words, approx. 11 pages
 In the following essay, Meador discusses Chandler's early writing career, tracing the development of his use of language and his social attitudes, while also describing the creation of his chief fictional hero—Detective Philip Marlowe.
from source:

Critical Essay by Philip Durham
2,375 words, approx. 8 pages
 In the following essay, Durham examines Chandler's published short stories, praising his evocative descriptions of character and the city of Los Angeles.
from source:

Critical Essay by Philip Durham
1,936 words, approx. 7 pages
 In the following essay, Durham discusses Chandler's efforts to develop his short detective stories into serious novels concerned with themes of social injustice.
from source:

Critical Essay by J. B. Priestley
1,891 words, approx. 6 pages
 In the following review of Raymond Chandler Speaking, Priestley assesses Chandler's story-telling skills and his efforts to turn murder mysteries into literature.
from source:

Critical Essay by Wilson Pollock
1,489 words, approx. 5 pages
 In the following review of Raymond Chandler Speaking, Pollock describes Chandler's writings in light of significant events in his life.
from source:

Critical Essay by Donald Lyons
1,230 words, approx. 4 pages
 In the following review, Lyons favorably critiques the Library of America's two-volume edition of Chandler's collected writing.




 View More Articles on Raymond Chandler
|