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There are 14 critical essays on Ramsey Campbell.
Critical Essays on Ramsey Campbell

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Interview by Ramsey Campbell with Stefan Dziemianowicz
7,990 words, approx. 27 pages
 The interview was conducted primarily in July 1991 and updated in December 1992. In the following excerpt from the interview, Campbell talks about the beginning of his career, focusing on his short fiction.
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Critical Essay by Gary William Crawford
4,732 words, approx. 16 pages
 A short story writer, poet, and critic, Crawford is also the editor of Gothic, a journal of Gothic literature studies. He has published essays on such Gothic writers as Robert Aickman, J. S. Le Fanu, Walter de la Mare, and Oliver Onions, and contributed to Horror Literature: A Core Collection and Reference Guide (1981). In the following excerpt, Crawford surveys Campbell's short fiction.
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Critical Essay by T. E. D. Klein
4,595 words, approx. 15 pages
 Klein is an American author of horror fiction whose works include the novel The Ceremonies (1984) and the novella collection Dark Gods (1985). In the following excerpt from an essay originally written in 1974, he examines the stories in Demons by Daylight and attests to the marked influence that the collection has had on the modern horror story.
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S. T. Joshi
3,698 words, approx. 12 pages
 In the following essay, Joshi traces the influence of H. P. Lovecraft in Campbell's short fiction, noting that Campbell developed his own distinctive literary style in Demons by Daylight.
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S. T. Joshi
2,765 words, approx. 9 pages
 An American editor and critic, Joshi has written extensively on authors of weird fiction and is the leading figure in the field of H. P. Lovecraft scholarship and criticism. He is also the editor of The Count of Thirty: A Tribute to Ramsey Campbell (1993). Here, Joshi reviews Alone with the Horrors and examines Campbell's appeal as a short story writer.
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Critical Essay by Simon MacCulloch
2,067 words, approx. 7 pages
 In the following excerpt, MacCulloch explicates Campbell's concept of evil as illustrated in the story "The Guy. "
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Critical Essay by Ramsey Campbell
1,605 words, approx. 5 pages
 In the following essay, which was written in 1990, Campbell discusses the intent and sources of inspiration for the stories collected in Waking Nightmares.
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Critical Essay by Clive Barker
1,227 words, approx. 4 pages
 Barker is an English short story writer, novelist, playwright, screenwriter, and film director known especially for the horror stories published in his popular six-volume collection, Clive Barker's Books of Blood (1984-86). In the following excerpt from an essay that was written in 1986, he commends Campbell for his ability to blend sex and horror in Scared Stiff.
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Critical Essay by Jack Sullivan
978 words, approx. 3 pages
 An American educator and critic, Sullivan is the author of Elegant Nightmares: The English Ghost Story from Le Fanu to Blackwood (1978) and has edited Lost Souls: A Collection of English Ghost Stories ( 1983) and The Penguin Encyclopedia of Horror and the Supernatural (1986). In the following essay, he states that Campbell's strength as a writer lies in the suggestive quality of his fiction, which creates in the reader the realization that "something lurks in the corner of the page even more ...
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Critical Essay by Alan Ryan
790 words, approx. 3 pages
 Ryan is the author of short stories and a horror novel. The Kill (1982). In the following excerpt, he praises Campbell's Dark Companions.
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Peter Cannon
639 words, approx. 2 pages
 In the following excerpt from a review of the retrospective collection Cold Print, Cannon expresses a preference for Campbell's later stories over his earlier ones, finding them more effective and characteristic of the author.
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Critical Essay by Michael A. Morrison
581 words, approx. 2 pages
 In the following excerpt, Morrison celebrates Waking Nightmares and Dark Feasts as evidence of the continuing development of Campbell's skill as a writer.
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Critical Essay by Kim Newman
427 words, approx. 1 pages
 An English critic and playwright, Newman is the author of Nightmare Movies (1985), a critical history of horror film since 1968, and coauthor of Ghastly beyond Belief (1985), a celebration of the most ridiculous moments from science fiction books and movies. In the following excerpt, he finds that Campbell's most affecting stories in Dark Feasts combine "almost surreal ghastliness and almost too-real urban decay. "

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