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Summary Pack Details

There are 35 critical essays on Paula Fox.

Critical Essays on Paula Fox
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Critical Essay by Bruce Bassoff
6,751 words, approx. 23 pages
In the following essay, Bassoff discusses issues of deformation and paralysis in Desperate Characters and The Widow's Children.
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Critical Essay by Anita Moss
6,140 words, approx. 21 pages
In the following essay, Moss includes How Many Miles to Babylon? in a discussion of the effectiveness of self-referential qualities in children's fiction.
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Critical Essay by Paula Fox
4,913 words, approx. 16 pages
In the following essay, Fox explores the ability of language and stories, at their best, to concretize the ephemeral and ambiguous nature of universal experience and what Fox considers the unfortunate bastardizing of language in contemporary parlance.
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Critical Essay by Lois R. Kuznets
4,559 words, approx. 15 pages
In the following essay, Kuznets examines the use of the pastoral fantasy in children's literature—particularly Fox's How Many Miles to Babylon?—as a rite of passage for young protagonists.
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Critical Review by Darryl Pinckney
3,877 words, approx. 13 pages
In the following review, Pinckney finds A Servant's Tale to be an examination of the subversion of expected values and actions by an outsider to the dominant culture.
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Critical Essay by John Rowe Townsend
3,839 words, approx. 13 pages
In the following essay, Townsend provides an overview of Fox's works for children.
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Critical Essay by Paula Fox
2,897 words, approx. 10 pages
In the following essay, Fox reflects on the ability of books to fuel the imagination, especially of children.
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Critical Essay by Hamida Bosmajian
2,812 words, approx. 9 pages
In the following essay, Bosmajian discusses the "historical nightmares" of slavery, the Holocaust, and the atomic bombing of Hiroshima as depicted in children's books, including Fox's The Slave Dancer.
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Critical Review by Edith Milton
1,647 words, approx. 6 pages
In the following review, Milton finds The Widow's Children to be a brilliant and accurate portrayal of the suffocating nature of contemporary life.
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Critical Review by Paula Giddings
1,226 words, approx. 4 pages
In the following review, Giddings asserts that while A Servant's Tale begins with a well-developed sense of purpose and character, the novel loses focus when Fox moves her characters to an urban setting.
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Critical Review by Blair T. Birmelin
1,039 words, approx. 4 pages
In the following review, Birmelin praises Fox's ability in A Servant's Tale to render the perspective of social powerlessness but finds her choice of narrative style too opaque.
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Critical Review by Linda Simon
1,026 words, approx. 3 pages
In the following review, Simon finds in A Servant's Tale a deftly handled examination of the individual power and purpose of the marginalized under-classes.
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Critical Review by Anne Tyler
756 words, approx. 3 pages
In the following review, Tyler calls One-Eyed Cat a "book of real value" because of its honest portrayal of the parent-child dynamic.
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Critical Review by Peter S. Prescott
643 words, approx. 2 pages
In the following review, Prescott finds The Western Coast stylistically interesting but its plot and purpose unclear.
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Critical Review by Peter S. Prescott
620 words, approx. 2 pages
In the following review, Prescott praises the artistry of Fox's novels but finds them too deliberately difficult to be enjoyed by readers.
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Critical Review by Carolyn Riley
617 words, approx. 2 pages
In the following review, Riley compares Fox to contemporary writers such as Joan Didion and Grace Paley but asserts that Fox is ultimately worthy of praise for her own literary achievements, notably because of her work in novels like The Western Coast.
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Critical Review by English Journal
587 words, approx. 2 pages
In the following review, the anonymous critic finds The Eagle Kite a "haunting exploration of guilt."
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Critical Review by Dinitia Smith
562 words, approx. 2 pages
In the following review, Smith assesses Monkey Island as an honest portrayal of homelessness, particularly the rarely dealt with issue of homelessness as it affects members of the middle class.
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Critical Review by Diane Manuel
547 words, approx. 2 pages
In the following review, Manuel writes that Lily and the Lost Boy is "a coming-of-age story that will be remembered both for its emotional impact and for the sensory impressions that linger long after the last page is turned."
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Critical Review by Sarah Hayes
542 words, approx. 2 pages
In the following review, Hayes applauds Fox's break with conventional teen-novel themes in The Moonlight Man, noting the complexity of emotion and mild didacticism of the novel.
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Critical Review by Anne Tyler
511 words, approx. 2 pages
In the following review, Tyler praises Fox's realistic handling of teenage problems in A Place Apart.
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Critical Review by Penny Blubaugh
441 words, approx. 2 pages
In the following review, Blubaugh admires Fox's portrayal of village life and of complicated emotional themes in Lily and the Lost Boy.
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Critical Review by Cyrisse Jaffee
427 words, approx. 1 pages
In the following review, Jaffee finds Western Wind slightly melodramatic but admires the book's probing of human relationships without offering simplistic solutions.
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Critical Review by Betsy Hearne
414 words, approx. 1 pages
In the following review, the critic admires Fox's spare but evocative prose in Western Wind.
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Critical Review by Judith Sheriff
402 words, approx. 1 pages
In the following review, Sheriff praises Fox's handling of her characters' ambiguous feelings for each other in The Moonlight Man.
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Critical Review by Roger Sutton
401 words, approx. 1 pages
In the following review, Sutton finds The Eagle Kite too ambiguous in its handling of the subject matter.
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Critical Review by Polly Goodwin
357 words, approx. 1 pages
In the following review, Goodwin praises the uncanny realism in How Many Miles to Babylon? but expresses reservations about the book's appropriateness for young readers.
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Critical Review by Nicholas J. Loprete, Jr.
344 words, approx. 1 pages
In the following review, Loprete offers a negative assessment of Poor George.
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Critical Review by Ellen Fader
340 words, approx. 1 pages
In the following review, Fader praises Fox's deft handling of serious social issues in Monkey Island.
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Critical Review by New York Times Book Review
333 words, approx. 1 pages
In the following review, the anonymous critic finds The Little Swineherd and Other Tales "luminous" and comic but also appropriately sober.
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Critical Review by Nancy Vasilakis
332 words, approx. 1 pages
In the following review, Vasilakis asserts that, although the themes in The Eagle Kite may be difficult for teenagers to absorb, the book is ultimately worth the effort.
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Critical Review by Times Literary Supplement
330 words, approx. 1 pages
In the following review, the anonymous critic praises The Stone-Faced Boy but recommends it for mature readers.
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Critical Review by Horn Book Magazine
328 words, approx. 1 pages
In the following review, the anonymous critic admires the traditional fairy tale tone and themes of Amzat and His Brothers: Three Italian Tales Remembered by Floriano Vecchi.
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Critical Review by Claudia Morrow
281 words, approx. 1 pages
In the following review, Morrow praises The Eagle Kite for its honest portrayal of both deeply personal and socially charged contemporary family issues.
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Critical Review by Connie C. Rockman
238 words, approx. 1 pages
In the following review, Rockman finds Amzat and His Brothers: Three Italian Tales Remembered by Floriano Vecchi too realistic and disturbing for children.


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