In the following essay, Sengoopta presents an overview of the scientific, philosophical, and cultural background of late-nineteenth-century Vienna into which Weininger was born.

In the following essay, Kavka discusses the ways in which Weininger's virulent misogyny and anti-Semitism appear to have been symptoms of widespread male "hysteria" over the nature and place of women in fin de siècle European society.

In the following essay, Harrowitz examines possible cultural and literary influences on Weininger, particularly Cesare Lombroso.

In the following essay, Stach examines Kafka's characterization of women in his fiction and the extent to which it was influenced by Weininger.

In the following essay, Byrnes examines James Joyce's use of stereotypes related to Jews, particular those found in Weininger's Sex and Character.

In the following essay, Katz explains Gertude Stein's initial encounters with and eventual assimilation of Weininger's theories and the ways in which they affected her writing and her views of character and gender.

In the following essay, Hyams explains how the theories in Sex and Character were eventually exploited by the Nazis.

In the following essay, Schoenberg discusses the social and psychic implications of the paradoxical images of women in late-nineteenth-century Viennese bourgeois culture and the contrasting viewpoints of Weininger and Peter Altenberg.

In the following essay, which was originally published in 1987, Stieg analyzes Franz Kafka's interpretation in The Castle of Weininger's theories.

In the following essay, originally published in 1979, Brude-Firnau discusses Weininger's influence on the modern German novel

In the following essay, Sokól examines misogynist elements in Weininger, Strindberg, and S. I. Witkiewicz.

In the following essay, which was originally published in 1935, Lavrin discusses the writings of the Russian thinker Vassily Rozanov and Weininger's Sex and Character, observing the influence of both on D. H. Lawrence.

In the following essay, Joly briefly explicates James Joyce's use of Weininger's ideas regarding women and Jews in his characterization of Leopold Bloom in Ulysses.

In the following review of Sex and Character, Thomas admits Weininger's genius and calls the book well worth reading for the unique point of view it brings to the discussion of gender, but also points out that it is uneven in quality, concluding that Weininger's treatise is a "remarkable jumble of insane babble and brilliant suggestion."