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There are 19 critical essays on Nelson Algren.

Critical Essays on Nelson Algren
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Critical Essay by Martha Heasley Cox and Wayne Chatterton
8,258 words, approx. 28 pages
In the essay below, Cox and Chatterton provide an overview of Algren's short stories, stating that critical focus on his novels has minimized "Algren's considerable achievement in the [short story genre."]
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R. W. Lid
3,250 words, approx. 11 pages
In the following essay, Lid discusses the primary conflicts in the short story "A Bottle of Milk for Mother" by examining Algren's use of detail, character, and symbolism.
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Critical Essay by Bettina Drew
3,090 words, approx. 10 pages
In the following introduction to The Texas Stories of Nelson Algren, Drew provides an overview of the time Algren spent in Texas during the 1930s and discusses how the author incorporated his experiences in the Southwest into his short stories.
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Critical Essay by George Bluestone
2,967 words, approx. 10 pages
Nelson Algren is known as a Chicago novelist, but he is only secondarily an urban writer. He has chosen, rather, to explore the theme of death and survival among our Lumpenproletariat. Of his four novels, all of one and two-thirds of another are set entirely outside Chicago. In The Neon Wilderness, his collection of stories, at least one third take place outside the urban world. In brief, only slightly more than half his published fiction is centrally concerned with Chicago…. Somebody in Boots, Algre...
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Critical Essay by R. W. Lid
2,563 words, approx. 9 pages
In the following excerpt, Lid provides an overview of Algren's career and critical reaction to his works. He also discusses the short story "A Bottle of Milk for Mother."
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Daniel R. Silkowski
1,765 words, approx. 6 pages
In the following essay, Silkowski discusses themes of identity and isolation in "A Bottle of Milk for Mother, "focusing on how to make the story meaningful to students.
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Tom Carson
1,347 words, approx. 5 pages
In the following introduction to the 1986 edition of The Neon Wilderness, Carson calls the collection "the pivotal book of Nelson Algren's career" and comments on Algren's writing style and the relationship between his short stories and his novels.
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Critical Review by James R. Frakes
1,295 words, approx. 4 pages
In the following review of The Last Carousel, Frakes comments on Algren's use of humor in the stories.
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Critical Review by Saul Maloff
1,282 words, approx. 4 pages
In the following review of The Last Carousel, Maloff faults Algren's overblown prose, his self-indulgence, and the repetitive nature of the stories in the volume.
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Critical Essay by George Bluestone
1,081 words, approx. 4 pages
In the following excerpt taken from an essay in which Bluestone primarily discusses Algren's novels, the critic provides a mixed assessment of The Neon Wilderness, focusing on the story "Design for Departure."
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Critical Review by Catherine Meredith Brown
694 words, approx. 2 pages
In the review of The Neon Wilderness below, Brown praises Algren's portrayal of the downtrodden and discusses the plots of various stories.
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Critical Review by Commonweal
501 words, approx. 2 pages
In the following excerpt, the critic praises the short stories in The Last Carousel and discusses the similarities between Algren's fiction and nonfiction.
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Critical Review by John Woodburn
466 words, approx. 2 pages
In the following review of The Neon Wilderness, Woodburn states that the collection is uneven but praises Algren's sympathetic characterization.
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Critical Review by Haskel Frankel
446 words, approx. 2 pages
In the following excerpt from a review of the anthology Nelson Algren's Own Book of Lonesome Monsters, Frankel discusses Algren's introduction to the work and the one story he contributed, "The House of the Hundred Grassfires."
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Critical Essay by Ralph J. Gleason
407 words, approx. 1 pages
A Walk on the Wild Side … deserves to be read by every Catch 22 and Cuckoo's Nest freak just so they can find out what opened the door for two novels that had the same kind of effect on the changing American consciousness that Bob Dylan has had. It's not only that before Heller and Kesey there was Algren. It's that Algren is where they came from, and the fantasy/reality, inside/outside paradoxical view of the inversion of the American Dream that is central to their books was firs...
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Critical Essay by Maxwell Geismar
305 words, approx. 1 pages
In the following excerpt, Geismar comments on Algren's focus on character development in The Neon Wilderness.
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Critical Essay by Ross Macdonald
283 words, approx. 1 pages
I have never quite met Nelson Algren—we talked on the phone once—but he has been a continuing influence in my life. He is the poet of the sad metropolis that underlies our North American cities; I was among those millions who caught an early chill there. Reading Algren didn't dispel the chill, but it did teach us to live with it and to look around us with deepened feelings and thoughts. Algren's Chicago and the people who live in its shadows are still there. Algren is their tragi...
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Critical Review by Kirkus Reviews
225 words, approx. 1 pages
Below, the critic provides a positive review of The Texas Stories of Nelson Algren.
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Critical Review by Albert E. Wilhelm
172 words, approx. 1 pages
Below, Wilhelm comments favorably on The Texas Stories of Nelson Algren.


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