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Meleager and Atalanta, Jacob Jordaens, first half of 17th century. |
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There are 6 critical essays on Meleager.
Critical Essays on Meleager

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Critical Essay by Kathryn J. Gutzwiller
12,020 words, approx. 40 pages
 In the following excerpt, Gutzwiller considers Meleager as a poet and as an anthologist, and discusses the principles he used to determine the sequence of poems in his Garland.
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Critical Essay by Sonya Lida Tarán
9,923 words, approx. 33 pages
 In the following excerpt, Tarán provides a close reading of several of Meleager's epigrams, focusing on his unique combination of traditional Greek motifs. Tarán also traces the influence of preceding epigrammatists on the author.
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Critical Essay by Daniel H. Garrison
8,969 words, approx. 30 pages
 In the following essay, Garrison argues that Meleager used the epigrammatic form to express psychic depths in ways that transcended the form's traditional use.
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Critical Essay by Sonya Lida Tarán
4,957 words, approx. 17 pages
 In the following excerpt, Tarán explores how the story of Zeus and Ganymede serves as a model for Meleager's accounts of his own desire in his erotic epigrams.
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Critical Essay by Alan Cameron
3,791 words, approx. 13 pages
 In the following essay, Cameron considers the order in which Meleager collected his poems, and the headings he utilized in his Garland.
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Critical Essay by J. W. MacKail
1,788 words, approx. 6 pages
 In the following excerpt, MacKail characterizes Meleager as a Greek epigrammatist whose Asiatic influences and detailed descriptions of the nuances of love set him apart from his contemporaries.

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