In the following essay, Maurer contends that, in her fiction, Wollstonecraft attempts to develop an active subjectivity for women "that is constituted in direct relation to a woman's role as mother."
In the essay that follows, Bannerji notes the ambivalence of contemporary feminist theorists toward Wollstonecraft and attempts, nonetheless, to claim that A Vindication of the Rights of Woman provides a promising philosophical resource for current feminist discourse.
In the essay that follows, Barlowe examines Wollstonecraft's use of different genres as an effort to engage in dialogue with the male-dominated intellectual tradition, in the larger service of achieving the practical social ends of feminism.
In the following essay, Harasym examines the autobiographical novel The Wrongs of Woman; or, Maria, contending that Wollstonecraft's identification of herself with her protagonist complicated her portrayal of a utopian feminist ideology.
