In the following review of Radical Artifice, Jarraway criticizes Perloff's reductive view of modernism and her ideological commitment to postmodernism.

In the following review, Palatella analyzes Perloff's revisionist literary history and theoretical positions in Radical Artifice and other previous works. According to Palatella, Perloff's oppositional dichotomy of modern and postmodern literature is unnecessarily reductive and partisan.

In the following review, Steiner criticizes what she considers to be specious arguments and inaccurate semiotic analysis in The Poetics of Indeterminacy.

In the following review, Altieri praises Poetic License, but takes issue with Perloff's historical perspective and attitude toward subjective expression.

In the following review, Butterick commends the ambition of The Poetics of Indeterminacy, but criticizes what he sees as Perloff's unconvincing arguments and loose interdisciplinary approach.

In the following excerpt, Golding offers a positive critique of Perloff's thesis and central arguments in Radical Artifice.

In the following review of Frank O'Hara: Poet among Painters, Altieri commends Perloff's discussion of O'Hara's aesthetics, but cites shortcomings in her analysis of the subjective qualities of O'Hara's work.

In the following positive review, Clippinger discusses Perloff's thesis and theoretical position concerning aesthetics and ethics in Wittgenstein's Ladder.

In the following positive review, Surette provides a summary analysis of Perloff's thesis and arguments in Radical Artifice.

In the following review, Materer gives a positive evaluation of The Futurist Moment.

In the following review, Dasenbrock gives a positive evaluation of Radical Artifice, but disagrees with Perloff's view of the avant-garde.

In the following review, Disch gives a negative assessment of Poetic License and avant-garde postmodern writing.

In the review below, Ulmer offers a positive critique of The Futurist Moment.

In the following review of Frank O'Hara: Poet among Painters, Mazzard praises Perloff's explication of O'Hara's poetry, but finds fault in her academic perspective.

In the following review, Cornis-Pope analyzes Poetry On and Off the Page.

In the following review of The Futurist Moment, McKenna finds Perloff's analysis of Futurism and its link to postmodernism informative, but questions postmodernism's relevance and Perloff's view of the post-industrial world.

In the following review of The Dance of the Intellect, Corcoran finds shortcomings in Perloff's thesis and tendency toward polemic.

In the following excerpt, Connor commends Perloff's reevaluation of the Futurist movement in The Futurist Moment.

In the following review of Radical Artifice, Francis discusses Perloff's critique of modern culture and the role of avant-garde poetry.

In the following review, Middleton gives a favorable assessment of Wittgenstein's Ladder.

In the following review, Leddy offers a summary of Perloff's essays and arguments in Poetic License, noting unflattering similarities between Perloff's approach and that of F. R. Leavis.

In the following review of The Dance of the Intellect, Witemeyer finds shortcomings in Perloff's assertions and documentation.

In the following review of The Poetic Art of Robert Lowell, Duffey objects to Perloff's assertions concerning Lowell's realism.

In the review below, Munk gives a positive assessment of Wittgenstein's Ladder.

In the following review, Kronick gives a negative assessment of The Dance of the Intellect.

In the following review, Meek gives a positive assessment of Frank O'Hara: Poet among Painters.

Below, Spiegelman gives a positive review of Radical Artifice.

In the following review, Saunders praises Wittgenstein's Ladder, but notes occasional lapses of theoretical rigor in the work.