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There are 10 critical essays on Malcolm Lowry.
Critical Essays on Malcolm Lowry
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 Critical Essay by Tony Bareham
9,215 words, approx. 31 pages
 In the following essay, Bareham discusses the defining characteristics of Lowry's short fiction.
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Critical Essay by Dale Edmonds
8,145 words, approx. 27 pages
In the following essay, Edmonds provides a thematic and stylistic analysis of Lowry's short fiction.
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Critical Essay by Dominic Head
7,733 words, approx. 26 pages
In the following essay, Head explores the motif of expanding circles in the short stories of Hear Us O Lord, maintaining that it affects Lowry's use of language and functions to link the stories.
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Critical Essay by Richard Hauer Costa
5,948 words, approx. 20 pages
In the following excerpt, Costa examines thematic aspects of the three Canadian stories in Hear Us O Lord, and notes similarities between "The Forest Path into the Spring" and Henry David Thoreau's Waiden.
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Critical Essay by Elsa Linguanti
4,583 words, approx. 15 pages
In the following essay, Linguanti views Lowry's short story collection Hear Us O Lord as a. macrotext, or as a work of "integrated unity."
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Critical Review by Malcolm Bradbury
1,391 words, approx. 5 pages
In the following excerpted review, Bradbury contrasts the main themes of Hear Us O Lord and Lowry's novel Under the Volcano.
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Critical Essay by George Woodcock
1,304 words, approx. 4 pages
In the following essay, Woodcock discusses the influence of life in Canada on "The Bravest Boat, " "Gin and Goldenrod, " and "The Forest Path to the Spring."
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