In the following essay, Fest analyzes Goebbels's effectiveness as a propagandist for the Third Reich.

In the following essay, Saalmann uses Goebbels's novel Michael to illustrate parallels between fascist social and political principles and theories of aesthetics.

In the following essay, Kater discusses the public and private aspects of Goebbels's life as reflected in his diaries.

In the following essay, Heiber focuses on Goebbels's diaries for the years 1925 and 1926.

In the following essay, Lukacs analyzes Goebbels's characteristics as a man and writer.

In the following excerpt, Remain examines Goebbels's novel Michael and his diaries for the years 1942 and 1943.

In the following review of The Early Goebbels Diaries, Dannhauser details Goebbels's shortcomings as a diarist.

The following excerpts are from diary entries made by Goebbels during the war years of 1942 and 1943.

In the following review, Jacobson considers the historical value of Final Entries 1945: The Diaries of Joseph Goebbels.

In the following essay, Haratonik considers the extent to which Goebbels himself believed in the principles and ideas that he fostered as propaganda minister for the Third Reich.

In the following review, Solzbacher contends that Goebbels's diaries from 1942 and 1943 were designed to further the Nazi cause upon their publication.

In the following essay, Smelser examines the scholarly importance of the 1987 German edition of Goebbels's diaries.

In the following review of Michael, Clark discusses Goebbels's novel as a reflection of his Nazi principles and attitudes.