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Full-page portrait of Sir John Mandeville. Created 1459.
 
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There are 7 critical essays on John Mandeville.

Critical Essays on John Mandeville
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Critical Essay by Mary B. Campbell
16,994 words, approx. 57 pages
In the excerpt below, Campbell argues that Mandeville's Travels was a parody and an early precursor of the modern novel.
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Critical Essay by Christian K. Zacher
15,080 words, approx. 50 pages
In the following excerpt, Zacher presents an overview of Mandeville's Travels, focusing on Mandeville's treatment of the Holy Land, and argues that the work is worth interest because of "its peculiar attitude toward pilgimage and exploration, its intricate sturcture, and its sophisticated point of view. "
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Critical Essay by C. W. R. D. Moseley
12,001 words, approx. 40 pages
In the following excerpt, Moseley discusses the work's author, reputation, values, and sources. The critic contends that the popularity of Mandeville' s Travels demands that the work be given serious attention if scholars want to understand the world view of the Middle Ages and the Renaissance.
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Critical Essay by Josephine Waters Bennett
10,174 words, approx. 34 pages
In the following excerpt, Bennett compares Mandeville's Travels with the account of Odoric of Pordenone's travels, from which Mandeville borrowed extensively, and argues that Mandeville's text is far richer because his imagination and literary skills brought the materials to life.
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Critical Essay by Malcolm Letts
4,026 words, approx. 13 pages
In the excerpt below, Letts describes the historical context in which Mandeville wrote and remarks on his critical reception and influence on other writers.
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Critical Essay by Zoltán Haraszti
3,555 words, approx. 12 pages
In the following essay, Haraszti provides an overview of Mandeville's Travels, remarking on the subjects treated in the account, the identity of its author, and the work's sources and textual history.
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Critical Essay by M. C. Seymour
2,588 words, approx. 9 pages
In the excerpt below, Seymour comments on style and structure in Mandeville's Travels and places the work in the context of medieval literature.


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