In the following essay, Shairp provides a summary of Keble's participation in the Oxford Movement and a critical analysis of The Christian Year.

In the following essay, Tennyson evaluates the structure and poetic style of The Christian Year, a work he regards as a “practical application of Tractarian poetics.”

In the following essay, Goodwin interprets Keble's aesthetic theory in relation to the Romantic Tradition, arguing that Keble's poetry is ignored by that tradition. Goodwin goes on to enumerate areas of divergence in the aesthetics of Keble and of his Tractarian contemporary John Henry Newman.

In the following excerpt, Coleridge recounts the early publication history of Keble's The Christian Year.

In the following essay, Warren studies Keble's poetic theory as explicated in his Praelectiones Academicae. Warren observes that for Keble the basic function of poetry is as a psychological and spiritual catharsis.

In the following essay, Gilley considers Keble's place as the leading poet of the Victorian High Church revival.

In the following essay, Griffin provides a thematic analysis of The Christian Year, explaining the purpose behind Keble's collection of religious poetry.

In the following essay, Tennyson discusses the influence of Keble's The Christian Year and Lectures on Poetry in Victorian England.

In the following essay, Martin probes William Wordsworth's impact on Keble's poetry.

In the following essay, Tennyson summarizes Tractarian aesthetics and its emphasis on “the religious character of poetry” as exemplified in Keble's verse.