In the following essay, Gustafson views Die natürliche Tochter as a play about gender transgression and the protection of the status quo.

In the following excerpt from his full-length treatment of Goethe's fiction, Lehnert explores the inner tensions in Goethe's Novelle, which he maintains adds to the complexity and greatness of Goethe's message that literature can act as a stabilizing social force.

In the following essay, Barry offers what he calls an “ironic reading” of Goethe's Novelle to show that the text is too rich to suggest only one “secret meaning.”

In the following essay, Wells compares the literary structure of Goethe's Novelle to the metamorphosis of seed to flowering plant, which he argues Goethe intended to show “the necessary harmony and compatibility of natural law and poetic structure.”

In the following essay, Brown concludes that Goethe used Novelle to transform neo-classical literary structure into a Romantic form, and she uses Goethe's concept of the ideal to show that it is Honorio and the princess, not the lion, who are tamed at the story's conclusion.

In the following excerpt, Swales shows how Goethe's Novelle sustains a tension between social harmony and a secretly-longed-for glimpse at chaotic brutality.

In the following essay, Balfour traces the various optical motifs in Goethe's Novelle and concludes that Goethe used the symbol of sight to “reveal the Universal, the divine and the miraculous.”

In the following essay, Crosby considers some contemporary interpretations of Tasso, Iphigenie, and Faust on the German stage in order to “provide at least an outline of the current stage image of Goethe.”

In the following essay, Ellis contends that Goethe's Novelle should not be considered the standard-bearer for the genre in general.