In the following essay, Carter-Sanborn discusses the place of identity and violence in Mukherjee's Jasmine.

In the following essay, Kehde analyzes Mukherjee's focus on the myth of America as Eden and Jasmine's identification first and foremost as a woman in Mukherjee's Jasmine.

In the following review, Boire asserts that Mukherjee's "Jasmine is a tremendously interesting work, not simply because it foregrounds characters and situations and nationalities so often disguised or dismissed in the western/American tradition, but primarily because of Mukherjee's ironic nuance and sinewy revisionism."

In the following review, Gorra discusses Mukherjee's expansion of her short story "Jasmine" into a novel and asserts "she's done so without losing a short story's virtues, above all its sense of speed and compression, its sense of a life distilled into its essence."