In the following excerpt, Hawkesworth looks beyond the apparent objectivity in Andrić's short stories to discover the writer's subtle insertion of his own individuality in his narratives.

In the following essay, Goy explores autobiographical aspects of Andric's work and traces his development as an author.

In the following excerpt, Hawkesworth examines major themes in Andrić's nonfiction prose.

In the following essay, Sendich provides a point-by-point comparison of all of the English translations of Travnička hronika.

In the following essay, Eekman refutes the idea that Andrić's later stories are pessimistic in nature, maintaining that hope can be found in his work.

In the following essay, Dimić discusses Andrić's place in the “universal heritage” of literature.

In the following essay, Gorup explores the ways in which Andrić's portrayal of male-female relationships provides insights into women's psyches.

In the following excerpt, Hawkesworth addresses Andrić's examination of the nature of art in The Devil's Yard.

In the following essay, Rosslyn emphasizes the importance of testimony and truth in Andrić's short fiction.

In the following essay, Rosslyn examines Andrić's thoughts on the nature and purpose of human testimony and autobiography.

In the following essay, Johnson urges a reassessment of Andrić's later fiction, and views the stories and sketches that comprise Lica as an important predecessor to Kuća na osami.

In the following essay, Eekman places Andrić's short stories in the context of the South Slavic literary tradition.

In the following essay, Loud surveys the major themes of Andric's short fiction

In the following excerpt, Mukerji examines The Spinster as a “study of miserliness.”

In the following essay, Matejic finds that Andrić's use of elements of folklore in his works goes beyond adaptation and is instead a full-fledged “literarization” of traditional folk stories.

In the following excerpt, Mukerji finds that Andrić posits in The Travnik Chronicle that religion could not have secured the state of Yugoslavia in the midst of political upheaval.

In the following essay, Johnson examines Andrić's changing portrayal of Bosnia by comparing his early story "Mara the Concubine" to his later story, "About the Old and Young Pamukovićes."

In the following excerpt, Mukerji explores the relationship between human interaction and the individual psyche in forming perceptions of reality.

In the following essay, Mukerji perceives "Bar Titanic'" as Andrić's commentary on Nazi atrocities during World War II

In the following essay, Butler analyzes Andrić's shift from writing in his native Bosnian ijekavian dialect to the Serbian ekavian.

In the following essay, Mihailovich discusses the defining characteristics of Andrić's short stories.

In the following essay, Hawkesworth offers a thematic overview of the stories comprising The Damned Yard and Other Stories.

In the following review, Lord provides a laudatory assessment of The Pasha's Concubine and Other Stories

In the following favorable review of The Pasha's Concubine and Other Stories, Simon lauds Andrić as "a master of the unspoken."