In the following essay, Hill discusses the major themes of Butler's Hudibras and the critical reception that this epic, which "is more quoted than read," has received since its publication.

In the following essay, Leyburn argues that scholars have been sidetracked by investigating possible models for Butler's characters in Hudibras and have, therefore, overlooked the ways in which the poem demands to be considered a satiric allegory.

In the following essay, Walker discusses the political atmosphere that Butler satirizes in Hudibras.

In the following essay, Miller maintains that despite Butler's denial that Hudibras has any allegorical intent, the epic exhibits allegorical characteristics.

In the following essay, Snider compares Butler's Hudibras to other Restoration epics, including Paradise Lost, and argues that it occupies a "liminal space between the end of epic and the rise of the novel."

In the following essay, Linden suggests that Butler's main characters in Hudibras "exist within an occult milieu" and that Butler, like other Restoration contemporaries, attacks the occult arts in his poem.

In the following essay, Staves discusses the contradictory critical readings of Hudibras in order to analyze the object of Butler's satire.

In the following essay, Boyce asserts that Butler's "biting wit and astonishing satiric allusion" make Hudibras the "best-known satire upon the Puritans."