In the following essay, Schneidau explores the ways in which Howards End evidences “autochthony,” or “an ideology of sacred space,” as symbolized by the house Howards End.

In the following essay, Thomson examines the symbolic objects in Howards End.

In the following essay, Sillars examines Forster's allusions in Howards End to other texts of the Edwardian period in England to gain an understanding of the novel's “duality.”

In the following essay, Born considers Howards End “the most comprehensive picture of liberal guilt in this century.”

In the following essay, Feltes examines the ways in which Forster's narrative strategy in Howards End reflects the history of the publishing industry at the time.

In the following essay, Niederhoff examines similarities between Forster's discussion of novels in Aspects of the Novel and Howards End.

In the following essay, Levenson argues that Howards End “gives the experience of modernity a turn toward politics and toward mysticism.”

In the following essay, Hoffman and Haar explore parallels between Howards End and Woolf's The Waves.

In the following essay, Turner examines the meaning of money, objects, and accumulation in Howards End.

In the following essay, Langland explores sexual politics in Howards End, focusing on Forster's own homosexuality and admitted misogyny.

In the following essay, Daleski examines personal fragmentation in Howards End.

In the following essay, Meisel explores the influence of major writings and thoughts of the Bloomsbury group on the themes in Howards End.

In the following essay, Hall argues that Forster presents a conservative view of family dynamics in Howards End.

In the following essay, Olson argues that Forster's families in Howards End prefigure modern family structure.

In the following essay, Womack examines Forster's social criticism regarding family issues in Howards End.

In the following essay, Kazin examines Howards End from the perspective of historical events of the later twentieth century.

In the following essay, Hoy discusses Howards End as a record of Forster's disillusionment with nineteenth-century idealism.

In the following essay, Delany discusses Forster's “lifelong preoccupation” with the privileged lives of upper-class Britons as revealed in Howards End.

In the following essay, Pinkerton finds that Forster's treatment of the character Leonard Bast in Howards End prefigures his ending of A Passage to India.

In the following essay, Westburg interprets Helen Schlegel's response to hearing Beethoven's Fifth Symphony as indicative of her feelings about the various dichotomies the novel suggests.