In the following essay, Carter-Sanborn argues that Gilman's feminist antiviolence in Herland models American imperial violence.

In the following essay, Gough discusses lesbianism as Gilman portrays it in Herland.

In the following essay, Peyser argues that Gilman's utopian novel Herland, rather than being a “playful deconstruction of patriarchal thought,” remains “ground[ed in the dominant culture.”]

In the following essay, Peyser argues against prevailing interpretations of Herland, claiming that “the imagination of utopia depends on the pre-existence of a utopian imagination.”

In the following essay, Gough analyzes the utopian vision and technique of Gilman's novel Moving the Mountain, and contrasts this work with her later Herland.

In the following essay, Doskow examines differences in Gilman's approach to the notion of utopia in Herland.