In the following essay, Sobel considers Sachs's handling of the popular German romance of Tristan and Isolde, arguing that his version was unique among writers who have dealt with the story.

In the following essay, Remshardt examines Sachs's rational approach to his material in Das Narren-Schneyden, which, the critic claims, puts him closer in spirit to Erasmus than to Luther.

In the following essay, Schade analyzes the theme of the mortal sins in many of Sachs's plays and considers various critics' comments on this topic.

In the following essay, Burchinal considers a wide range of critics and their commentary on Sachs's meter.

In the following essay, French examines Sachs's characterization of each class in contemporary society.

In the following essay, Sobel analyzes the influence that Martin Luther had on the works of Hans Sachs.

In the following essay, Coupe discusses the relationship between the illustrations and the text in the works of Hans Sachs.

In the following essay, Van D'Elden examines the differences between Sachs's and Suchenwirt's parodies of coats of arms, which Van D'Elden claims are a product of the expectations of each author's audience.

In the following essay, Sobel discusses the strengths of Sachs's early poems, including his use of images and symbols, which Sobel claims place Sachs among the best of Germany's post-medieval creative artists.