In the essay below, Helsinger reviews "Goblin Market" as a "fantasy of consumer power, where the empowered consumer is a woman," concluding that such power is gained by women through the "withholding of desire" and that the poem describes a Utopian withdrawal from the economics of sex and marriage.

In the following essay, Carpenter suggests that "Goblin Market" presents a radical view of women's bodies and appetites that was influenced by Rossetti 's participation in the Oxford Movement's "women's mission to women," in which she worked with prostitutes and homeless women.

In the following essay, Packer argues that the symbolism—which is often vague—in "Goblin Market" reflects the realities of Rossetti 's life, just as the symbols in her other works correspond with her life, and that the poem should not be read simply as a "Pre-Raphaelite masterpiece."

In the following essay, Casey studies the meaning of "sisterhood" in "Goblin Market," arguing that the term implies a variety of meanings and "potentially includes the experience of both sexes." Additionally, Casey examines the Victorian conception of the nature of sisterhood as popularized by the work of Florence Nightingale and suggests how Rossetti 's own work as a "sister" may have influenced her writing of "Goblin Market. "

In the essay that follows, Grass examines the influence of various aspects of Rossetti 's life on her writing of "Goblin Market." He identifies Rossetti 's extensive use of lists as the "interpretive key" in determining which biographical events correspond to the events in "Goblin Market. "

In the following essay, Watson maintains that while the Christian allegorical framework of "Goblin Market" is the means by which the story is made "'acceptable," the fairy tale subtext of the poem subverts the Christian moral of renunciation and extolls the virtues of imagination and knowledge.

In the following essay, Mermin argues that "Goblin Market" explores the feminine fantasies of "freedom, heroism, and self-sufficiency," celebrates "sisterly and maternal love," and suggests the possibility of a Pre-Raphaelite sisterhood.

In the following essay, Conner explores the relationships between "Goblin Market" and Rossetti's other works, maintaining that the use of repetition in Rossetti's devotional poetry establishes a sense of "confirmed redemption," while in her nursery rhymes this repetition formula creates a sense of "irresolution." Similarly, Conner suggests, this "irresolution" is the result of the use of repetition in "Goblin Market."

In the excerpt below, Kaplan surveys feminist readings of "Goblin Market" and argues that the poem explores female sexual fantasy.

In the following excerpt, Gilbert and Gubar argue that "Goblin Market" demonstrates Rossetti 's opinion of the necessity for female renunciation of the "risks and gratifications of art. "

In the excerpt that follows, Moers regards "Goblin Market" as Rossetti 's contribution to Gothic fiction, or the "literature of the monster," and maintains that the poem serves as an examination of the cruelty and sexuality of children rather than as a Christian allegory.

In the following excerpt, Norton offers a favorable assessment of "Goblin Market," maintaining that the work is Rossetti's best and that its linking of fantastic imagery to everyday life allows "Goblin Market" to "vie with Coleridge's 'Ancient Mariner'."

In the following essay, Shalkhauser examines "Goblin Market" as a "Christian fairy tale" in which Lizzie represents Christ and Laura signifies sinful humanity.

In the following excerpt, Noble praises "Goblin Market" as a "spiritual drama" about the redemptive power of love.

In the following essay, Drake discusses "Goblin Market" as a modified epyllion—a small epic—in which Lizzie plays the role of the epic heroine.