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Giordano Bruno.
 
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There are 11 critical essays on Giordano Bruno.

Critical Essays on Giordano Bruno
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Critical Essay by Frances A. Yates
10,368 words, approx. 35 pages
An English educator, historian, and author, Yates is best known and widely respected for her books on the Renaissance. In the following essay, Yates examines Bruno's use of emblems in Eroici furori, arguing that by describing the divine with Petrarchan conceits, Bruno establishes a link between his work and Elizabethan poetry.
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Critical Essay by Hilary Gatti
8,950 words, approx. 30 pages
In the following excerpt, Gatti tracks Bruno's European wanderings, discussing the influential ideas and writings produced by the philosopher during this period of travel.
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Critical Essay by Edward A. Gosselin
7,416 words, approx. 25 pages
In this essay, Gosselin examines the religious aspect of Bruno's work, maintaining that despite his alleged heresy, the philosopher retained some Roman Catholic beliefs at the time of his death.
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Critical Essay by Arthur D. Imerti
5,854 words, approx. 20 pages
Imerti is an Italian-American educator, scholar, and author. In this excerpt, Imerti discusses Lo spaccio de la bestia trionfante, focussing on aspects of the work that were viewed as heretical by the Roman Catholic Church, and on portions of the work in which Bruno criticizes his society.
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Critical Essay by Edward A. Gosselin
5,501 words, approx. 18 pages
In the following essay, Gosselin analyzes The Ash Wednesday Supper, contending that in this work Bruno "bridge[s the two extremes" of scientific and philosophical solar literature.]
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Critical Essay by Walter Pater
5,429 words, approx. 18 pages
A nineteenth-century essayist, novelist, and critic, Pater is regarded as one of the most famous proponents of aestheticism in English literature. Distinguished as the first major English writer to formulate an explicitly aesthetic philosophy of life, he advocated the "love of art for art's sake" as life's greatest offering, a belief which he exemplified in his influential Studies in the History of the Renaissance (1873) and elucidated in his novel Marius the Epicurean (1885) an...
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Critical Essay by Giancarlo Maiorino
5,108 words, approx. 17 pages
In the following essay, Maiorino discusses Bruno's views on poetry, emphasizing the link between poetic and philosophical thought and the characteristics of both.
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Critical Essay by M. A. Dynnik
4,648 words, approx. 16 pages
In this essay, Dynnik examines the merits of Bruno's arguments and conclusions concerning cosmology.
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Critical Essay by William Boulting
4,362 words, approx. 15 pages
In this excerpt, Boulting analyzes several of Bruno's early works, including philosophical writings and the comedy, Il Candelaio, commenting on the relevance of these works in the early twentieth century.
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Critical Essay by Paul Oskar Kristeller
4,283 words, approx. 14 pages
A German-born scholar, Kristeller is an acclaimed author of Italian, German, and English articles and books on Renaissance philosophy. In this excerpt, Kristeller describes Bruno's background and highlights the philosopher's beliefs as revealed in several works.
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Critical Essay by Frances A. Yates
4,202 words, approx. 14 pages
In the following excerpt, Yates examines De imaginum, signorum et idearum compositione, contending that in this work, Bruno uses his theory of imagination as a means of attaining the Hermetic goal of becoming "one with the universe."


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