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A portrait of George Moore by Édouard Manet
 

There are 16 critical essays on George Moore (novelist).

Critical Essays on George Moore (novelist)
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Critical Essay by David B. Eakin and Helmut E. Gerber
8,084 words, approx. 27 pages
In the following excerpt, Eakin and Gerber provide an overview of Moore's short stories and maintain that the concept of "in minor keys" seems to be his "way of designating a story in which he implies a significant moral idea marked by a subdued or underwritten ending."
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Critical Essay by Brendan Kennelly
7,769 words, approx. 26 pages
Kennelly is an Irish poet, critic, novelist, and educator. In the following essay, which was first published in England in 1968, he perceives the theme of loneliness as integral to Moore's short fiction.
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Critical Essay by Kenneth B. Newell
6,486 words, approx. 22 pages
Newell is an American critic and educator. In the following essay, he discusses the similarities of thirteen stories he classifies as "the artist stories, " focusing on Moore's perception of the artist in Irish society.
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John Raymond Hart
6,238 words, approx. 21 pages
Not that Joyce was so staggeringly original as he appears in books by students of Joyce. After all, it was only twelve months before (Joyce began Dubliners) that George Moore had published The Untitled Field, and it takes a student of Joyce to ignore a simple fact like that.
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Critical Essay by Robert Welch
5,784 words, approx. 19 pages
In the following essay, Welch examines the autobiographical aspects of Moore's The Untilled Field and The Lake.
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Critical Essay by Augustine Martin
5,567 words, approx. 19 pages
Martin is an Irish critic and educator. In the following essay, he finds the themes of social and spiritual bleakness in the story "Julia Cahill's Curse" representative of Moore's short fiction in The Untilled Field.
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Critical Essay by Kenneth B. Newell
5,442 words, approx. 18 pages
In the following essay, Newell discusses the four short stories that comprise the "wedding gown" group, pieces linked by their non-polemic treatment of Irish life, maintaining that these stories "embody not only the strangeness and pathos of human existence but also varieties, both literal and figurative, of 'exile ' and 'vision. ' "
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Critical Essay by John Cronin
4,716 words, approx. 16 pages
In the following essay, Cronin surveys the major themes of The Untilled Field.
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Critical Essay by Jeffrey Malkan
4,502 words, approx. 15 pages
In the following essay on The Lake, Malkan finds that the protagonist's search for personal fulfillment in the face of existential monotony is tied to his self-absorption and renunciation of social obligations.
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Critical Essay by Charles Burkhart
3,941 words, approx. 13 pages
Burkhart is an American critic and educator. In the following essay, he provides an overview of Moore's short fiction.
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Critical Essay by J. S. Watson, Jr.
3,196 words, approx. 11 pages
In the the following review, Watson faults the insincerity of Moore's A Story-Teller's Holiday.
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Critical Essay by Paul Deane
2,784 words, approx. 9 pages
In the essay below, Deane explores the complex nature of Moore's protagonist Father Gogarty, focusing on his spiritual development in the short novel.
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Critical Essay by R. L. Duffus
1,315 words, approx. 4 pages
Duffus was an American novelist, critic, and nonfiction writer. In the following favorable review, he provides a thematic and stylistic analysis of Celibate Lives.
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Critical Essay by Richard Church
1,037 words, approx. 4 pages
Church was an English novelist, poet, autobiographer, and critic. In the following review, he offers a mixed assessment of Celibate Lives.
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Critical Essay by The Times Literary Supplement
1,001 words, approx. 3 pages
In the following essay, the critic favorably assesses stylistic aspects of A Story-Teller's Holiday.
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Critical Essay by The Spectator
936 words, approx. 3 pages
In the following essay, the critic provides a laudatory review of In Single Strictness.


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