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George Lamming photo taken by Carl Van Vechten, 1955 |
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There are 17 critical essays on George Lamming.
Critical Essays on George Lamming

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Critical Essay by Gordon Rohlehr
11,851 words, approx. 40 pages
 In the following essay, Rohlehr examines the political metaphors and instances of allegory in Season of Adventure.
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Critical Essay by Joyce E. Jonas
7,726 words, approx. 26 pages
 In the following essay, Jonas examines the essence of the “Trickster” and shows the instances of this imaginary creature presiding over Lamming's In the Castle of My Skin.
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Critical Essay by Peter Hulme
6,933 words, approx. 23 pages
 In the following essay, Hulme examines the reworking of Shakespeare's The Tempest in many of Lamming's works.
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Critical Essay by Avis G. McDonald
6,182 words, approx. 21 pages
 In the following essay, McDonald examines the symbolic representations contained in Natives of My Person.
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Critical Essay by Roosevelt Williams
6,043 words, approx. 20 pages
 In the following essay, Williams compares the strong mother figures in Wright's Black Boy, Laye's The Dark Child, and Lamming's In the Castle of My Skin, and analyzes their effect on the lives of their children.
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Critical Essay by Helen Tiffin
5,848 words, approx. 20 pages
 In the following essay, Tiffin examines the underlying themes of enslavement and empowerment in Lamming's Natives of My Person and Water with Berries.
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Critical Essay by Michael G. Cooke
5,524 words, approx. 18 pages
 In the following essay, Cooke studies the effect gender has on the tone of a “coming of age” novel written by a Caribbean writer. In the Castle of My Skin is written from the male standpoint, whereas Jane and Louisa Will Soon Come Home is written from the female point of view.
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Critical Essay by Carolyn T. Brown
4,545 words, approx. 15 pages
 In the following essay, Brown studies the autobiographical aspects of the character “G” in Lamming's In the Castle of My Skin, giving special consideration to the effect that Lamming, writing as an adult with an adult perspective, has regarding the awareness and experiences of a child.
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Critical Essay by Viney Kirpal
4,352 words, approx. 15 pages
 In the following essay, Kirpal defends In the Castle of My Skin in light of Neil ten Kortenaar's negative critical review (Ariel 22:2 April, 1991). Kirpal evaluates the novel from a different perspective and finds it to be a worthwhile political/social endeavor and a complex work of fiction.
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Critical Essay by Neil ten Kortenaar
4,128 words, approx. 14 pages
 In the following essay, ten Kortenaar discusses his displeasure with In the Castle of My Skin, finding fault with Lamming's wordiness, insufficient character development, and lack of plot cohesiveness.
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Critical Essay by Helen Tiffin
3,882 words, approx. 13 pages
 In the following essay, Tiffin explores the interactions among characters in Lamming's Water with Berries and V. S. Naipaul's Guerrillas.
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Interview by George Lamming with Paul Buhle
3,713 words, approx. 12 pages
 In the following interview, conducted by Paul Buhle on November 25, 1987, Lamming discusses C. L. R. James's writing and the effect it has on other West Indian writers, including Lamming himself.
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Critical Essay by Margaret Kent Bass
3,399 words, approx. 11 pages
 In the following essay, Bass finds many similarities among American Richard Wright's Black Boy, South African Ezekiel Mphahlele's Down Second Avenue, and Caribbean George Lamming's In the Castle of My Skin despite the different nationalities of the writers.
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Interview by George Lamming with Frank Birbalsingh
3,071 words, approx. 10 pages
 In the following interview, conducted November 12, 1985, Birbalsingh and Lamming converse about African and Caribbean literature and the effects of national experience on a writer.
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Critical Review by Reed Way Dasenbrock
614 words, approx. 2 pages
 In the following review of the reprinting of Lamming's The Pleasures of Exile, Dasenbrock laments that the book has not aged well and finds it to be bitter and illogical.
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Critical Review by Reed Way Dasenbrock
610 words, approx. 2 pages
 In the following review, Dasenbrock admires Lamming's attempt at the blending of historical fiction and allegory, but finds that Lamming's narrative fluctuates too often between the two genres to be considered a successful novel.
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