In the following excerpt, Kennedy analyzes how Paris became for such writers as e.e. cummings, Ernest Hemingway, and Anaïs Nin a place that “inescapably reflects the creation of an exilic self.”

In the following essay, Berghaus traces the contributions of noted German artists living in exile in Great Britain after 1933.

In the following excerpt, Pfeiler examines the circumstances that led to the creation of a German literature in exile and comments on some of its main characteristics and figures.

In the following essay, Schenck discusses the poetry of female modernists in terms of their state of being exiled from the political, cultural, and social mainstream.

In the following excerpt, Tucker attempts to define the concept of exile in historical, cultural, and literary terms, comparing various exiles' notions about the theme.

In the excerpt below, Milbauer focuses on Isaac Bashevis Singer's novel Shosha as a vehicle for the writer's commenting both on his own destiny as an exile and on the collective destiny of the Jewish people.

In the following excerpt, Kamla focuses on the ideas and career of Konrad Merz, an anti-fascist novelist who left Germany to write in exile.