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Statue d'Evangéline - héroïne de la déportation acadienne - à Saint Martinville en Louisiane
 
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There are 9 critical essays on Evangeline.

Critical Essays on Evangeline
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Critical Essay by Kirsten Silva Gruesz
14,021 words, approx. 47 pages
In the following essay, Gruesz explores the politics of translation and literary canonicity in Evangeline.
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Critical Essay by John Seelye
7,524 words, approx. 25 pages
In the following essay, Seelye asserts that, despite its metric simplicity, Evangeline stands out as exemplary of its age.
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Critical Essay by Eric L. Haralson
7,118 words, approx. 24 pages
In the following excerpt, Haralson examines Longfellow's initial popularity and subsequent fall from the literary canon, suggesting that both are due to his “sentimental” masculinity. He also shows that Evangeline broadened Longfellow's scope as a writer.
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Critical Review by American Literary Magazine
5,435 words, approx. 18 pages
In the following review, the author summarizes the plot of Evangeline and provides analysis of Longfellow's use of hexameter.
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Critical Essay by “Introductory Note”
2,983 words, approx. 10 pages
In the following essay, the author discusses the impetus for Longfellow's poem Evangeline, examines passages from his diary relating to its composition, and briefly recounts the historical inquiry into actual Acadian events that followed the poem's publication.
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Critical Essay by W. Sloane Kennedy
1,872 words, approx. 6 pages
In the following essay, Kennedy gives an account of Longfellow's inspiration for Evangeline.
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Critical Essay by Hubert H. Hoeltje
1,368 words, approx. 5 pages
In the following essay, Hoeltje presents Nathaniel Hawthorne's review of Longfellow's Evangeline.
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Critical Essay by Arnd Bohm
1,265 words, approx. 4 pages
In the following essay, Bohm points out the implications of Longfellow's use of von Stolberg's poem ‘Der Harz’ in Evangeline.
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Critical Essay by North Granville Quarterly
1,150 words, approx. 4 pages
In the following essay, the author gives a summary of Evangeline and examines Longfellow's love of nature as evidenced in the poem.


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