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There are 15 critical essays on Ethan Canin.

Critical Essays on Ethan Canin
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Critical Essay by Victoria Aarons
8,265 words, approx. 28 pages
In the following essay, Aarons investigates the central thematic concerns of Canin's novella Batorsag and Szerelem.
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Interview by Ethan Canin with Lewis Burke Frumkes
1,629 words, approx. 5 pages
In the following interview, Canin discusses how his medical knowledge affects his fiction, the origins of the stories in Emperor of the Air, and his creative process.
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Critical Essay by Sven Birkerts
1,410 words, approx. 5 pages
In the following excerpt, Birkerts delineates the defining characteristics of the stories in Canin's short story collection Emperor of the Air.
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Critical Essay by Joanne Kaufman
1,387 words, approx. 5 pages
In the following essay, Kaufman provides a brief overview of Canin's life and career.
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Critical Review by Gail Caldwell
1,310 words, approx. 4 pages
In the following mixed review of The Palace Thief, Caldwell argues that the only real weakness in the volume “is a lack of range, rather than depth; each of these stories stands tall alone, but a familiarity seeps in by the end of the collection that tugs at the hem—it's as though you've watched an exquisite performance, the same exquisite performance, done again and again.”
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Critical Essay by William Goldstein
1,222 words, approx. 4 pages
In the following essay, Goldstein investigates the influence of the popular writer Danielle Steel on Canin's writing career.
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Critical Essay by David Gurewich
1,204 words, approx. 4 pages
In the following positive assessment of Emperors of the Air, Gurewich suggests that Canin's writing is too technically proficient.
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Critical Review by Raymond Sokolov
1,051 words, approx. 4 pages
In the following favorable review of Emperor of the Air, Sokolov notes that Canin's stories center on the dynamics within families.
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Critical Review by R. C. Scott
926 words, approx. 3 pages
In the following review, Scott regards the novellas in The Palace Thief as engaging and provocative and compares them to the work of Anton Chekhov.
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Critical Review by Jonathan Yardley
875 words, approx. 3 pages
In the following review, Yardley considers Emperor of the Air to be an auspicious debut.
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Critical Review by Peter D. Kramer
861 words, approx. 3 pages
In the following review, Kramer contends that The Palace Thief “constitutes a broadening of literary scope for a writer of enormous talent and charm.”
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Critical Review by Mary F. Pols
619 words, approx. 2 pages
In the following review, Pols commends the haunting novellas collected in The Palace Thief.
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Critical Review by Wendy Brandmark
566 words, approx. 2 pages
In the following positive review of The Palace Thief, Brandmark maintains that what makes Canin “an exceptional writer rather than just a clever one is his combination of wit, compassion and moral seriousness.”
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Critical Review by Jon Saari
333 words, approx. 1 pages
In the following review, Saari offers a favorable assessment of The Palace Thief.
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Critical Review by Sybil Steinberg
277 words, approx. 1 pages
In the following laudatory review of Emperor of the Air, Steinberg asserts that Canin “informs a technical expertise with a keen sense of the dynamics of the human psyche.”


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