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There are 10 critical essays on Elizabeth Stuart Phelps Ward.

Critical Essays on Elizabeth Stuart Phelps Ward
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Critical Essay by Karen Tracey
15,433 words, approx. 51 pages
In the following essay, Tracey explores the duality of Phelps's female characters as both radical career women and conventional marriage partners.
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Critical Essay by Deborah Barker
14,566 words, approx. 49 pages
In the following essay, Barker argues that The Story of Avis is Phelps's feminist revision of Nathaniel Hawthorne's representation of the woman artist in his The Marble Faun.
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Critical Essay by Judith Fetterley
8,751 words, approx. 29 pages
In the following essay, Fetterley explores the phenomenon of inarticulateness of women in The Silent Partner.
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Critical Essay by Amy Schrager Lang
7,573 words, approx. 25 pages
In the following essay, Lang uses The Silent Partner to examine the difficulty for nineteenth-century writers to discuss class and gender issues.
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Critical Essay by Jack H. Wilson
7,361 words, approx. 25 pages
In the following essay, Wilson explores the ways in which The Story of Avis is a multi-textual early feminist story.
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Critical Essay by Carol Farley Kessler
5,873 words, approx. 20 pages
In the following essay, Kessler explores images of women in Phelps's late fiction.
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Critical Essay by Timothy Morris
5,296 words, approx. 18 pages
In the following essay, Morris argues that the elements of erotic fantasy in Doctor Zay are intended to teach readers to respect professional women.
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Critical Essay by Carol Farley Kessler
3,512 words, approx. 12 pages
In the following essay, Kessler suggests that Phelps creates an ambivalent utopia in her novels dealing with the afterlife.
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Critical Essay by Jennifer A. Gehrman
3,272 words, approx. 11 pages
In the following essay, Gehrman examines Phelps's interpretation of the myth of the Lady of Shalott and its embodiment of Victorian womanhood.
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Critical Essay by Henry C. Vedder
3,239 words, approx. 11 pages
In the following essay, Vedder presents an overview of Phelps's major works.


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