In the following essay, Gilbert claims that Browning's "visions of Italia Riuníta had more to do with both her femaleness and her feminism than is usually supposed, " and served as a vehicle for establishing her own poetic identity.

In the following chapter from her Elizabeth Barrett Browning, Woman and Artist, Cooper surveys Browning 's early literary influences and how she transformed them to establish an original voice in The Seraphim, and Other Poems.

In the following essay, Stone evaluates the poetic innovations of Browning's ballads in the context of the Romantic ballad revival and its tradition in Victorian England.

In the following essay, Leighton examines the role of Browning's father in both her early poetry, in which he is a central figure, and her mature poetry, in which he is conspicuously absent.

In the essay that follows, Byrd explores Browning's poetry as a protest against patriarchy and an attempt to establish a feminist literary community.

In the essay that follows, Cooper considers Browning's portrayal of the patriarchal literary tradition and her criticisms of women's complicity in their own oppression.

In the following essay, Hirsch examines the construction of gender in the autobiographies of Elizabeth Barrett Browning and George Sand.