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There are 20 critical essays on Either/Or.
Critical Essays on Either/Or
 from source:
 Critical Essay by David J. Gouwens
15,861 words, approx. 53 pages
 In the following essay, Gouwens offers a survey of criticism on Part I of Either/Or according to a variety of critical perspectives.
from source:
Critical Essay by David J. Gouwens
15,861 words, approx. 53 pages
In the following essay, Gouwens offers a survey of criticism on Part I of Either/Or according to a variety of critical perspectives.
from source:
Critical Essay by John Vignaux Smyth
14,068 words, approx. 47 pages
In the following excerpt, Smyth explores Kierkegaard's concept of irony as well as his inclusion of philosophy and science within the realm of aesthetics.
from source:
Critical Essay by John Vignaux Smyth
14,068 words, approx. 47 pages
In the following excerpt, Smyth explores Kierkegaard's concept of irony as well as his inclusion of philosophy and science within the realm of aesthetics.
from source:
Critical Essay by Céline Léon
12,165 words, approx. 41 pages
In the following essay, Léon discusses Judge William's paradoxically negative views on women and women's liberation.
from source:
Critical Essay by Céline Léon
12,165 words, approx. 41 pages
In the following essay, Léon discusses Judge William's paradoxically negative views on women and women's liberation.
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Critical Essay by Peter J. Mehl
10,951 words, approx. 37 pages
In the following essay, Mehl examines the moral personality of Judge William within the context of recent writings on the relationship between psychology and ethics, particularly invoking the work of Owen Flanagan.
from source:
Critical Essay by Peter J. Mehl
10,951 words, approx. 37 pages
In the following essay, Mehl examines the moral personality of Judge William within the context of recent writings on the relationship between psychology and ethics, particularly invoking the work of Owen Flanagan.
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Critical Essay by Wanda Warren Berry
10,228 words, approx. 34 pages
In the following essay, Berry examines Either/Or within the context of modern concepts of sexual identity and sexual orientation.
from source:
Critical Essay by Wanda Warren Berry
10,228 words, approx. 34 pages
In the following essay, Berry examines Either/Or within the context of modern concepts of sexual identity and sexual orientation.
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Critical Essay by Edward F. Mooney
9,608 words, approx. 32 pages
In the following excerpt, Mooney discusses the concepts of autonomy, rights, and responsibilities inherent within Judge Wilhelm's advice to “A” that he accept himself.
from source:
Critical Essay by Edward F. Mooney
9,608 words, approx. 32 pages
In the following excerpt, Mooney discusses the concepts of autonomy, rights, and responsibilities inherent within Judge Wilhelm's advice to “A” that he accept himself.
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Critical Essay by Marc Katz
8,131 words, approx. 27 pages
In the following essay, Katz discusses Kierkegaard's sense of his own marginality in relation to German Romanticism.
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Critical Essay by Marc Katz
8,131 words, approx. 27 pages
In the following essay, Katz discusses Kierkegaard's sense of his own marginality in relation to German Romanticism.
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Critical Essay by George Pattison
5,911 words, approx. 20 pages
In the following essay, Pattison discusses the contemporary reception of Either/Or, suggesting that although some readers were apparently overwhelmed by its complexity, others produced thoughtful, relevant commentary on the work.
from source:
Critical Essay by George Pattison
5,911 words, approx. 20 pages
In the following essay, Pattison discusses the contemporary reception of Either/Or, suggesting that although some readers were apparently overwhelmed by its complexity, others produced thoughtful, relevant commentary on the work.
from source:
Critical Essay by John D. Mullen
5,485 words, approx. 18 pages
In the following essay, Mullen questions the usual reading of Either/Or that positions the aesthetic and the ethical as two progressive stages of life.
from source:
Critical Essay by John D. Mullen
5,485 words, approx. 18 pages
In the following essay, Mullen questions the usual reading of Either/Or that positions the aesthetic and the ethical as two progressive stages of life.
from source:
Critical Essay by Clayton Koelb
4,732 words, approx. 16 pages
In the following essay, Koelb explores Kierkegaard's use of irony in Either/Or, particularly in his discussion of Eugène Scribe's The First Love.
from source:
Critical Essay by Clayton Koelb
4,732 words, approx. 16 pages
In the following essay, Koelb explores Kierkegaard's use of irony in Either/Or, particularly in his discussion of Eugène Scribe's The First Love.
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